Archives For November 30, 1999

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Jane Eyre audio offered by SYNC YA

This summer I have been visiting the family estate at Gateshead, the harsh boarding school Lowood, and the Gothic mansion called Thornfield Hall through the audio download of Charlotte Bronte’s Jane Eyre courtesy of SYNC YA. This free audiobook uses Overdrive software which is on both my computer and my mobile phone. As the recording of Jane Eyre is about eight hours long, the ability to move from device to device has proved most helpful in finishing the book.

This is not my first experience with this novel. I read the book when I was a teenager, and, like Jane, I fell in love with Mr. Rochester. Years later, I taught the book later to Advanced Placement students and marveled at Jane’s independence, her morality, and her ability to emphatically say “No” to the persistently persuasive Rochester.  Now, I am struck by Jane’s role as a governess and how Bronte characterizes attitudes towards that profession in Victorian England.

At one of Rochester’s soirees, Bronte has the spoiled but beautiful Blanche Ingram recount how she and her brother and sister, tormented their governesses and tutors as as they grew up. The incident begins when Blanche’s mother, Mrs. Ingram, calls the guests’ attention to Jane, isolated in a corner of the room. “I have just one word to say of the whole tribe,” whispers Blanche’s mother loud enough for Jane to hear, “they are a nuisance.”

Blanche cheerfully counters:

Not that I ever suffered much from them; I took care to turn the tables. What tricks Theodore and I used to play on our Miss Wilsons, and Mrs. Greys, and Madame Jouberts! Mary was always too sleepy to join in a plot with spirit. The best fun was with Madame Joubert: Miss Wilson was a poor sickly thing, lachrymose and low-spirited, not worth the trouble of vanquishing, in short; and Mrs. Grey was coarse and insensible; no blow took effect on her.

Not satisfied with those affronts to those poor teachers, Bronte has Blanche continue the list the indignities inflicted on one particular governess who was subjected to especially bad behavior from the Ingram children:

But poor Madame Joubert! I see her yet in her raging passions, when we had driven her to extremities–spilt our tea, crumbled our bread and butter, tossed our books up to the ceiling, and played a charivari with the ruler and desk, the fender and fire-irons. Theodore, do you remember those merry days?”

Blanche’s condemnation of those who tried to educate her backfires; Bronte’s desire to have the reader dislike this rival for Rochester’s affection is deliberate. Jane’s quiet moral intelligence wins out in the end.

Listening to the story, I considered that Bronte was making a case for the importance of education as a means to rise out of poverty. Jane’s education at the Lowood Institute, a boarding school, was hazardous and purchased at a terrible price. Her classmate, Helen, dies because of the stark conditions at Lowood, mirroring the real-life death of Bronte’s sister, Maria, who died from tuberculosis contracted because of hunger, cold, and privation at Cowan Bridge School. Despite the treacherous conditions, however, Bronte revisits the theme of education’s importance as it provided the character Jane with an independent profession. She is hired to teach Rochester’s ward Adele, and she proves to be a successful governess.

The conflict between Bronte’s belief that education was one way for a young woman to earn a small income, to have a marketable profession, clashes with the upper classes’s view of the teaching profession in 1847. Therefore, how disappointing to read polls (2009-2012) about contemporary economics of the teaching profession that demonstrate that a century and a half later, not much has changed. According to The Economix blog on the NYTimes, “Does it Pay to Become a Teacher?”, salary  may reduce attracting high quality graduates to the teaching profession:

The average primary-school teacher in the United States earns about 67 percent of the salary of a average college-educated worker in the United States. The comparable figure is 82 percent across the overall Organization for Economic Cooperation and Development (O.E.C.D.). For teachers in lower secondary school (roughly the years Americans would call middle school), the ratio in the United States is 69 percent, compared to 85 percent across the O.E.C.D. The average upper secondary teacher earns 72 percent of the salary for the average college-educated worker in the United States, compared to 90 percent for the overall O.E.C.D.

The findings also point out that teachers in the USA teach over 1000 hours annually, an amount well over the hours of their international peers. That number does not include time for preparation, training, or assessing. The article concludes:

Given the opportunity costs of becoming a teacher instead of using your college degree to enter another, more remunerative field, are the psychic rewards of teaching great enough to convince America’s best and brightest to become educators?

Bronte was one of England’s best and brightest who advocated education, but Bronte knew that teaching was not an economically successful profession. Jane Eyre only becomes financially independent when a relative leaves her a fortune; she only becomes wealthy when she confesses, “Reader, I married him.”

Over 150 years after Charlotte Bronte’s novel, the teaching profession still has its critics; there are real life Mrs. Ingrams and Blanches who hold the profession in contempt. There are also economic drawbacks to choosing the profession, as demonstrated in the O.E.C.D poll.

In the 21st Century, the teaching profession should be desirable to those who aspire to teach, but who, like Jane, want to be financially independent. Teachers should not have to wait for a Mr. Rochester in order to prosper.

Browsing at the Southport Pequot Library Book Sale, I overheard the following conversation:

“Why, here’s another book by Thackeray….”Pendennis”. Have you read that?”
“That’s a lovely read, but I’m not reading Thackeray this year; I told you that this is the summer I am reading Trollope.”
“Yes, you did..(*pause*)…Oh!…do we have a nice copy of “Ethan Frome”?”

Behind the two people conversing was a sign with an appropriate message:

Old (but Interesting) Books.

“Yes,”I thought, “that certainly was an interesting conversation about old books,”

The Pequot Library Book Sale
720 Pequot Avenue  Southport, CT 06890-1496  |  203.259.0346

Pequot library

Friday, July 26 to Tuesday, July 30, 2013
OVER 140,000 BOOKS, CDs, DVDs, RECORDS, etc.
Admission is FREE and all Sale proceeds benefit Pequot Library.
HOURS AND PRICING
Friday, July 26 9am to 8pm DOUBLE the marked price
Saturday, July 27 9am to 5:30pm Priced as marked
Sunday, July 28 9am to 5:30pm Priced as marked
Monday, July 29 9am to 6pm HALF the marked price
Tuesday, July 30 9am to 2pm $5 PER BAG DAY!
High quality books at reasonable prices
Visa, MasterCard, Discover, and American Express Accepted

Going to the Pequot Library in this small Fairfield County town reminds me of visiting my Grandma Rosie; she was eclectic, tousled and conversational with books and crosswords stacked around her armchair. This sale is equally eclectic, housed partially in a venerable mansion that is the main library and partially under the large white tents that cover the lawn.  Inside both the library and under the tents the books are laid out onto tables in rows, in stacks, in mounds; many tables bend with the weight and some books spill over to the boxes or tarps below.

As you shop, there are surprising little gems mixed in every genre. Admittedly, some of these surprises are probably due to volunteer book sorters who, when faced with the daunting task of organizing the 140,000 plus books, may have been a little unclear about the divide between fiction and non-fiction. What else could explain the placement of several copies of Mark Haddon’s The Curious Incident of the Dog in the Night Time on both the Fiction and the Animals and Nature Table? Or why would Dodie Smith’s I Capture the Castle be on the Art and Architecture table? But I quibble. Be polite and pretend that you are sorting though the library in Grandma Rosie’s house. Notice and enjoy the rich variety of texts available for purchase, regardless as to where they have been placed. Tidy the piles as you go, and you will be a welcome guest.

I secured a dozen hardly used copies of Cormac McCarthy’s All the Pretty Horses. The first time I read the book, I was so annoyed by the lack of punctuation for dialogue that I complained to several of my students. One student thoughtfully replied, “It’s like he is breaking down the walls between what is thought and what is spoken.” I have not complained about the lack of punctuation since.

New copies of All the Pretty Horses retail for $12.29 each and my 12 copies would have cost $147.48; I spent a total of $132.00 for four bags of books in addition to these copies. The titles I selected were mostly “replacement” books such as Harper Lee’s To Kill a Mockingbird, Cormac McCarthy’s The Road, Coehlo’s The Alchemist, Andersen’s Speak and Kesey’s One Flew over the Cuckoo’s Nest. I even purchased a number of copies of John Knowles A Separate Peace; I dislike the book, but the copies were too new to pass up, and the English I honors classes like the story. There were no copies of my target book The Help to be had, but I could have purchased a class set of 30 or more copies of Kidd’s The Secret Life of Bees.

Other notable qualities of the sale that provide hints to the character of Southport’s residents include:

  • an amazing array of cookbooks, many in pristine condition (may not be a good thing in a cookbooks; shouldn’t they be falling apart?)
  • well organized audio texts (someone knew his/her stuff!)
  • award-winning fiction seriously represented  (the Booker Prize, the National Book Award, the National Book Critics Circle Award, Pulitzer Prize, Newbery Medal, Nobel Prize for Literature, PEN/Faulkner Award, etc.)
  • a tremendously large section of biographies in the main library (My Grandma Rosie loved biographies as well…)
  • teachers from area schools are given vouchers (wish my school could be included??)

The drawbacks?

  • books under the table are hard to access and bending and straightening leads to awkward collisions of heads/buttocks/stomachs/elbows;
  • the children’s section was ransacked by…you guessed it…children;
  • not enough room around paperback fiction, while the romance section sat forlorn with wide aisle surrounding it;
  • the smell of the cookout is hard to bear on an empty stomach…be warned.

At the checkout line, the volunteers were characteristically more gracious than efficient. Your choice of books could be the start of a lovely conversation, but you should hasten the end of the pleasantries as long lines could be building behind you.
Like my Grandma Rosie, they understand, just as long as you promise to visit next year as well.

I love books.

While that is not the most eloquent statement about reading, the three word sentence communicates my desire to spend time with the writings of another.

In contrast to my simple declaration, there are are a number of very eloquent statements about the importance of books.  On my e-mail correspondence, I have a quote from the Victorian Scottish born essayist and historian Thomas Carlyle (1795-1881)

 “All that mankind has done, thought, gained, or been; it is lying as in magic preservation in the pages of books.”

I enjoy sharing that quote and two other facts about Thomas Carlyle:

Carlyle

Thomas Carlyle

1. He invented the word Eleutheromania: A mania or frantic zeal for freedom. If I were to use this word in a sentence, I would write, “At the conclusion of every school year, I suffer a serious case of Eleutheromania.”

2. He and his wife were very unhappy. They were so unhappy that the author Samuel Butler said of their marriage: “It was very good of God to let Carlyle and Mrs Carlyle marry one another, and so make only two people miserable and not four.”

I also have a favorite funny quote about reading books. This quote is by the brilliant comedian Groucho Marx (1890-1977) and is spelled out in big gold letters on one of my book bags:

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Groucho Marx

”Outside a dog, a book is man’s best friend. Inside a dog, it’s too dark to read.”

I get a number of people who look at my bag from a distance, I see their lips move as they read the joke aloud…and then I see them smile when they understand. Groucho’s humor is timeless.

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Carl Sagan

By far the most eloquent comment I have ever read about reading books, however, comes from Carl Sagan (1934-1996).  Sagan was was an American astronomer, astrophysicist, cosmologist, and author who relentless promoted science. His brilliant TV series in the 1980s Cosmos received critical acclaim and gave over a reported 500 million viewers a new perspective on the size and scope of the universe and the relative size of planet Earth in comparison.  The 11th episode was titled “The Persistence of Memory” and in this episode Sagan stated the following:

“What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.”

A book reaches across the millennia. An author is in your head speaking to you. Books bind people together.

Astonishing indeed, and reason enough to say, “I love books.”

There are organized containers of books, spines out for easy browsing, that sit in rows on well-spaced tables. There are signs that mark the genres (fiction, travel, nature, self-help, romance, etc) for targeted shopping. I notice there is a lovely older woman who shadows me anxiously; she is trying to take my heavy load of books to a table for “lay-away” so that I can shop easier. I smile politely and refuse her help; I don’t want to belabor the point that my bags weigh as much as she does. She seemed disappointed. As I looked back I considered that perhaps I had been mistaken; her biceps were very defined! Yes, tidiness and a cadre of very fit efficient elders ready to provide assistance are the hallmarks of the Friends of the New Milford Library Book Sale in New Milford, Connecticut.

The sale is held in the New Milford High School on Route 7, and the hours for 2013 are:

Thursday, July 11th –
Early Bird, $5.00 – 9am-10am
Doors open @ 9am – 7pm close
Friday, July 12th: 10am – 7pm
Saturday, July 13th:10am – 5pm
Sunday, July 14th – HALF PRICE DAY!: 10am – 3pm

In 20 minutes, I had two bags (totaling $31) filled with books used at different grade levels. Note the three copies of Mark Haddon’s The Curious Incident of the Dog in the Nighttime (photo) which retails at Amazon for $12.41. Three new copies of this book would retail for $37.23. I got these three lightly used copies and all of the other books pictured in the photo for $6.31 LESS than the cost of the three new copies. The Curious Incident of the Dog in the Nighttime is in our Grade 10 World Literature course, and our students enjoy the narration by the autistic boy who uses Sherlock Holmes’s deductive reasoning to solve a mystery.

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Stack of books used in our curriculum; additional independent reading books in the other bag

Other big finds that are in the photo included copies of Tim O’Brien’s The Things They Carried, a copy of Stephen King’s On Writing, and Nancy Fisher’s The House of the Scorpion. There are many other “finds” in the bag next to the neat stack of books.

When I shop at these local sales, I think about how each town’s book sale is a small sociological study. If one could speculate about the interests of the people of New Milford, one would conclude:

  1. There are some serious, diehard James Patterson fans;
  2. There is a dedicated interest in nature, animals, and travel (althought this is the first year I did not find a single copy of Bill Bryson’s A Walk in the Woods);
  3. The entire back half of the area illustrates that children have access to books at all levels.

Finally, I feel it is worthy to note, but rather awkward to say, that there were at least 10 cartons of the Books for Dummies series. I am not saying anything about New Milfordites here…. I’m just sayin’.

Check out was a breeze; receipts for teachers were pre-prepared, and I made a beeline for the door so that lovely elderly woman wouldn’t try to help me carry my bags back to my car. Her energy was making me look bad!

Screen Shot 2013-06-05 at 4.32.55 PMWhile some of my students have no problem cracking open a good book over the summer, others might prefer an audio text. That is why when I found the SYNC audiobook website, I was delighted to spread the word (and recorded voices) about great literature available all summer long. I have challenged my students to read (listen) with me all summer!

SYNC has organized a summer full of classics paired with young adult (YA) texts that are similar in theme. Each pairing is available only for a download for a short period of time, but once a reader downloads the MP3 files, the audiobook is available for listening at any time.

The software that makes this offer possible is  Overdrive Media Software that can be installed on a computer (compatible with Windows and Mac) or through an Overdrive App on a mobile device (compatible with iOS, Android, BlackBerry, Windows Phone 7).

Visit the OverDrive website to download the App or Software.

I have already listened to the full cast production of Shakespeare’s The Tempest, and enjoyed the dramatization. My familiarity with this play (I teach this every fall to my Advanced Placement Literature students) may influence how I think a student hearing the production for the first time might understand the plot. I hope they can follow some of the plot intricacies.

Screen Shot 2013-06-05 at 4.29.30 PMI was surprised that the play was paired with Of Poseidon, a romantic fantasy involving a independent and beautiful Emma and her strange encounters with the incredibly handsome Gaylen.  I would have paired this book with Romeo and Juliet because the inferences about clan conflicts are too frequent not to imagine “two houses both alike in dignity, in the fair ocean where we lay our scene.” This debut novel by Anna Banks addresses mermaid lore, the legend of Atlantis, and forbidden love on the Jersey Shore. Unlike the TV show, listeners are 75% into the book before the first kiss; there is a great deal of “raising her chin with his fingers” and “cheek-stroking” to keep romantics hopeful. The reader (Rebecca Gibel) was also excellent, lacing some of the more exclamatory phrases with the right amounts of sarcasm or ruefulness.  My only complaint was that this novel is the first in a series. As I got closer to the end of the recording, I began to realize that this novel was the “introductory”, a sentiment seconded by this reviewer:

This book also ends in a most inopportune place. I get it – we’re being set up for the second book – but this book sort of has this massive reveal and then BAM we’re at the end. I’d seen enough people’s reactions, though, to expect it, so I wasn’t quite as upset as some readers have been with the abrupt ending. Still, not a whole lot is resolved in this book, and I have a problem with a book that didn’t seem to have much of a point aside from setting up for the next one. (Merin; Amazon Book Review)

Complaining about a free download, however, seems ungrateful. Like the reviewer, I enjoyed the novel very much, so much that I was annoyed when all the loose ends were not resolved. Obviously, this is one way for SYNC to market additional texts. In this case, the strategy will work; I probably will purchase the sequel.

The schedule for titles downloads during this summer is listed below:

May 30 – June 5, 2013
Of Poseidon by Anna Banks, read by Rebecca Gibel (AudioGO)
The Tempest by William Shakespeare, read by a Full Cast (AudioGO)

June 6 – June 12, 2013
The Incorrigible Children of Ashton Place, Book 1: The Mysterious Howling by Maryrose Wood, read by Katherine Kellgren (HarperAudio)
Jane Eyre by Charlotte Brontë, read by Wanda McCaddon (Tantor Audio)

June 13 – June 19, 2013
The Raven Boys by Maggie Stiefvater, read by Will Patton (Scholastic Audiobooks)
Bless Me, Ultima by Rudolfo Anaya, read by Robert Ramirez (Recorded Books)

June 20 – June 26, 2013
Once by Morris Gleitzman, read by Morris Gleitzman (Bolinda Audio)
Letter From Birmingham Jail by Martin Luther King, Jr., read by Dion Graham (christianaudio)

June 27 – July 3, 2013
Rotters by Daniel Kraus, read by Kirby Heyborne (Listening Library)
Frankenstein by Mary Shelley, read by Jim Weiss (Listening Library)

July 4 – July 10, 2013
Carter Finally Gets It by Brent Crawford, read by Nick Podehl (Brilliance Audio)
She Stoops to Conquer by Oliver Goldsmith, read by a Full Cast (L.A. Theatre Works)

July 11 – July 17, 2013
The Peculiar by Stefan Bachmann, read by Peter Altschuler (HarperAudio)
Oliver Twist by Charles Dickens, read by Simon Vance (Tantor Audio)

July 18 – July 24, 2013
Grave Mercy by Robin LaFevers, read by Erin Moon (Recorded Books)
Hamlet by William Shakespeare, read by a Full Cast (L.A. Theatre Works)

July 25 – July 31, 2013
The False Prince by Jennifer A. Nielsen, read by Charlie McWade (Scholastic Audiobooks)
The Prince and the Pauper by Mark Twain, read by Steve West (Blackstone Audio)

Aug 1 – Aug 7, 2013
Death Cloud by Andrew Lane, read by Dan Weyman (Macmillan Audio)
The Adventures of Sherlock Holmes by Arthur Conan Doyle, read by Ralph Cosham (Blackstone Audio)

Aug 8 – Aug 14, 2013
Enchanted by Alethea Kontis, read by Katherine Kellgren (Brilliance Audio)
Through the Looking Glass by Lewis Carroll, read by Miriam Margolyes (Bolinda Audio)

Aug 15 – Aug 21, 2013
Sold by Patricia McCormick, read by Justine Eyre (Tantor Audio)
Let Me Stand Alone by Rachel Corrie, read by Tavia Gilbert (Blackstone Audio)

I am looking forward to a summer full of great audiotexts, and I hope my students will take advantage as well. Thank you, SYNC!

2013-06-09 18.00.17

The contents of the $7/box

There is no official “start” to the summer book sale season, but one great place to whet an appetite is at the Friends of the Byram Shubert Library in Greenwich, Connecticut.

This sale is usually held the 2nd weekend in June at the St. Paul’s Lutheran Church across the street. Book Sale Finder advertises the sale as “Exceptional”, “Well worth the trip!” and “Great Prices!”

Suffice to say, the sale was as advertised.

The Friday Preview night sells hardcovers $3, softcovers $2, small paperbacks .50 or 3/$1. On Saturday, prices are reduced to hardcovers $2, softcovers $1, small paperbacks 5/$1, children’s .25-.50. But it is on Sunday, a Bargain hunter’s delight, that there is a  “bag and box” sale $5/bag, $7/box or 2 boxes/$10.

I went in the last few hours on Sunday, and the tables were still tidy. The fiction was plentiful, but the non-fiction and young adult choices very picked over.  Nevertheless, in 20 minutes, I selected 34 great titles that I placed in a box provided by the Friends of the Library.

13 copies of books outlined in our curriculum mapping

13 copies of books outlined in our curriculum mapping

On the tables I grabbed titles we offer in our Grade 11 Vietnam War literature unit: 3 copies of In Country by Bobbie Ann Mason and and 2 copies of Tim O’Brien’s The Things They Carried.  There were also books assigned in our curriculum for Grade 10 World Literature: Mark Haddon’s The Curious Incident of the Dog in the Night Time and William Golding’s Lord of the Flies. Finally, two clean copies of Agatha Christie’s And Then There Were None will be placed in our grade 8 mystery unit. Summer reading for the Advanced Placement English Language is Kim Edward’s The Memory Keeper’s Daughter while Toni Morrison’s The Bluest Eye is one of the choices offered to these students during the school year.

The 13 books I found outlined in our curriculum mapping would normally retail for $139.00 if purchased new. The additional 21 books in the box will be added as independent reads in classroom libraries or suggested as “satellite reads” to complement a whole class novel.

34 books for $7.00? That is an amazing bargain. The 2013 summer used book sale season is off to a great start!

 I hear the chatter from elementary school teachers: 
  • They can’t wait for reading!
  • Oh, they love to read!
  • When we have to cancel reading, they are so disappointed.

Yet, what happens when I get the ninth graders in my class? I hear:

  • Reading is so boring.
  • I hate to read.
  • I don’t like reading.

What caused the change in students’ attitude towards reading?

97%

Reading Speed Limit?

I have been attending graduate courses on reading instruction for pre-K-6 in order to find out the reason for the shift in attitudes. One of the textbooks used was Guiding Readers and Writers (Grades 3-6), a 672 page tome packed with information written by authors Irene Fountas and Gay Su Pinnell. The 2001 edition reflected the ideal reading and writing workshop schedule; 3.5 hours of uninterrupted reading and writing daily.So, how did the instructional strategies for elementary students in the Fountas and Pinnell book prepare students for grades 7-12 ?

The Fountas and Pinnell strategies use a Benchmark Assessment System that allowed for leveled literacy intervention for very early readers. Texts were rated (A to K) on their difficulty for the reader in fluency and comprehension at instructional or independent levels. Each level suggests a percentage of accuracy that a student should achieve before moving to the next level, for example:

 For levels A to K, a text read at 90%-94% accuracy (with satisfactory or excellent comprehension) is considered an instructional level text. That means that the student can read it effectively with teacher help–a good introduction, prompting, and discussion).

For levels A to K, a text read at 95%-100% accuracy (with satisfactory or excellent comprehension) is considered to be an independent level text. That means that the student can read it without help. Reading at the independent level is extremely valuable because the reader gains fluency, reading “mileage,” new vocabulary, and experience thinking about what texts mean (comprehension).

Fountas and Pinnel are very clear that these percentages should not be fixed, stating:

We wouldn’t want anyone to interpret these percentages in a rigid way, of course. A child might read one text at 91% and then experience a few tricky words in the next book and read it with 89%.

They also note that reading broadly increases a student’s vocabulary, and they suggest that schools could mandate their own policies in insuring that students reading smoothly and easily with satisfactory accuracy and comprehension before moving to the next level.

I heard, however, a number of literacy specialists/instructors from elementary schools in my classes representing different districts in the state explaining, “We hold students to a 97% accuracy rate before moving them on” or “I would not move a student who isn’t reading at a 95%-97% accuracy rate.” Are these literacy specialists/instructors misreading the Fountas and Pinnell book? Furthermore, is a district’s adherence to this 97% accuracy rule hurting students as they transition to the higher grade levels? If a student is directed to read only those books that can be read at 97% or even a 91% or 89% accuracy, what happens when he or she is handed a required text that is above his or her reading level?

The problems in reading accuracy are clearly evident in when students enter middle school, and they are handed textbooks and whole class novels from the literary canon. Richard Allington, a past president of the International Reading Association and the National Reading Conference, wrote an article that directly addressed the problem of difficult texts for the journal Voices from the Middle (May 2007, NCTE) titled, “Intervention All Day Long: New Hope for Struggling Readers “ In this article, Allington makes the argument that districts should not mandate the same grade level texts for readers of varying ability:

This means that districts cannot continue to rely on one-size-fits-all curriculum plans and a single-period, daily supplemental intervention to accelerate struggling readers’ academic development. Districts cannot simply purchase grade-level sets of materials—literature anthologies, science books, social studies books—and hope to accelerate the academic development of students who struggle with schooling. There is no scientific evi- dence that distributing 25 copies of a grade-level text to all students will result in anything other than many students being left behind.

He argues for an extension of the 97% accuracy rate using easier texts and explains that the more difficult texts at the middle and high school levels will have many more words per page than the texts in elementary school. He notes that in a book of 250 and 300 running words on each page, 97% accuracy would mean 7–9 words will be misread or unreadable on every page:

 In a 20-page chapter, the student would encounter 140–180 words he or she cannot read. And typical middle school textbooks have twice as many words per page, creating the possibility that a reader reading at 97% accuracy would be unable to correctly read 14–20 words per page or 250–400 words per chapter.

As a result, Allington argues that struggling readers will not be helped by reading these texts, regardless as to the amount of support.
The very texts that are supposed to be a resource for a discipline’s content, “won’t help them learn to read.”  Many upper grade level texts are  textbooks are  heavy, difficult to read with all the subject specific vocabulary embedded in passages; the different fonts, pictures, and information boxes may confuse a poor reader.

I am, however, a little skeptical about Allington’s point regarding students who miss words in texts. I am not sure that the multiplication factor Allington uses to calculate the number of words missed since words are repeated in a novel.  Yes, a student may miss “purloined” on page 12, and on page 17, but should that word be counted twice? There is a context that eventually brings about an understanding; by the third “purloined” a student may have a better understanding of the word because of that context. As an additional concern, requiring a 97% accuracy rate would stop most middle/high school literature programs that use whole class texts. For example, we teach Romeo and Juliet to our 9th graders, and the accuracy rate for Shakespeare, even for teachers with Master degrees in English, is about 80%. Yet, year after year, as we read the play aloud, students do understand generally what is going on. Perhaps some literature is as the poet T.S. Eliot wrote, “Poetry communicates before it is understood.”

On the other hand, Allington has every reason to be concerned that students entering middle school and high school will encounter texts that are complex with high exile levels.  These texts will not be modified to accommodate struggling readers, instead the Common Core State Standards (CCSS) are moving in the opposite direction with Lexile levels being raised at all grade levels. Allington’s concerns are not the concerns for publishers who want to meet the CCSS in order to sell as many textbooks as possible. Ultimately, a 97% accuracy rate is not realistic with the materials in each subject area at the middle school and high school levels.

The students who have been swimming in the shallow end of the reading pool throughout their elementary school experience are suddenly tossed into the deep end of literature and informational texts when they hit middle school. The aforementioned elementary literacy specialists/instructor’s adherence to the 97% accuracy with Fountas and Pinnell benchmark assessments limit students to highly filtered reading experiences as opposed to challenging students to develop their own strategies when they encounter difficult texts. More practice with difficult reading materials should be part of an elementary school literacy regimen, just like a batter at the plate who must learn how to swing at a number of different kinds of pitches; not every pitch comes in the strike zone over the plate, and not every book is at a prescribed accuracy rate.

Requiring every student read at a 97% accuracy rate was not the intention of the Fountas and Pinnell directives, but the directives of others may be contributing to the comments I hear from my grade 9 students that “Reading is so boring” or “I hate to read.” A steady diet of the same level of reading caused by requirements to achieve a 97% (or A+) accuracy may hem in or deaden a student’s independent nature or curiosity. Furthermore, when a student gets to middle school, the requirement to read at 97%, or any literacy rate, is not enforced in all disciplines; students who have been spoon-fed reading materials may feel betrayed. Their 97% or A+ reading excellence is suddenly plunged to lower percentiles, which ultimately results in much lower grades. Any confidence or trust a struggling reader may have developed with purified texts is quickly lost, and “I hate to read” is the result.

Maybe they don’t hate to read; maybe with years of preparation at 97%, they are unprepared for any other speed.

sunThe paradox of summer reading:  Read=pleasure or Read=work.

All students should read at least one book this summer and practice the independent reading skills they have used the whole school year. They should receive credit for reading over the summer, but to give credit means an assessment. An assessment comes dangerously close to committing Readicide,(n): The systematic killing of the love of reading, often exacerbated by the inane, mind-numbing practices found in schools.

Anecdotally, 50% of students will read for fun. The other 50% will skim or Sparknote to complete an assignment, or they will not read at all for a variety of reasons: “it’s boring”, “too much work”, “I hate to read.”  Many students avoid books creating a “reading-free zone” from June through August. In addition, there are some parents who openly complain that assignments over the summer interfere with family vacation plans.

But there are many parents who understand the importance of reading. They could be frustrated all summer as they responsibly hound their children to do their summer assignments rather than wait until the last minute.

Summer reading is fun for some, but summer reading is a hassle for others. Why bother, indeed?

Well, research clearly demonstrates that summer reading is important in maintaining reading skills at every grade level. A meta-analysis (1996) of 39 separate studies about the effects of summer on student learning came to the conclusion that summer reading was critical to stopping the “summer slide”. Without summer reading, there could be a loss equaling about one month on each grade-level equivalent scale. Students would be playing a cognitive “catch-up” through November each school year.

In “The Effects of Summer Vacation on Achievement Test Scores: A Narrative and Meta-Analytic Review” by H. Cooper, B. Nye, K. Charlton, J. Lindsay and S. Greathouse, there were several key findings:

 At best, students showed little or no academic growth over the summer. At worst, students lost one to three months of learning.
 Summer learning loss was somewhat greater in math than reading.
 Summer learning loss was greatest in math computation and spelling.
 For disadvantaged students, reading scores were disproportionately affected and the achievement gap between rich and poor widened.

There have been studies since 1996 that confirm the findings of the meta-analysis, so, summer reading cannot be optional if students are to maintain their skills and progress as readers. The problem for teachers is how to engage the 50% who will not read over the summer. My English Department has tried the following:

  • One summer, we tried an assigned book route. We used a multiple choice quiz to measure student comprehension. The results were average to below average. Most students hated having to read an assigned book.
  • One summer, we tried the dialectical journal kept by a student on either an independent book choice or an assigned book (see post). The results were mixed with 25% students not completing the journal or completing the journal so poorly that we were chasing students for work past the due date and well into the end of the first quarter.
  • One summer, we tried the “project of your choice” in response to a “book of your choice”, but then we were buried in a pile of projects, with a wide variable in the quality of these projects.

So, this summer (2013) we are again trying something different in the hopes of finding a better measurement for summer reading. We are giving students their choice in reading fiction or non-fiction. The incoming 7th and 8th graders choose a book for the summer, and the school will provide that book. Students who will be entering grades 9 -11, may checkout a book from an extensive list organized by our school media specialist or any other book they choose.

Summer reading will be assessed with a writing assignment when all students return in September. The questions will align with standardized test essay questions (CAPT, SAT) and students may have the book in hand or notes from the book; students who read early in the summer will have the same advantages as students who read later in the summer, or the night before the writing prompt:

Essay question(s) for a work of FICTION read over the summer:
How does the main character change from the beginning of the story to the end? What do you think causes the change?
How did the plot develop and why?
How did the main character change? What words or actions showed this change?

Essay question(s) for a work of NON-FICTION read over the summer:
If this book was intended to teach the reader something, did it succeeded? Was something learned from reading this book, if so what? If not, why did the book fail as a teaching tool?Was there a specific passage that had left an impression, good or bad? Share the passage and its effect on the reader.

This assessment will be given the second week in September, and while there is a concern that writing is not as effective in measuring a student’s reading comprehension, at minimum this assessment will give the English Department members a chance to teach a writing prompt response.

Students who are in honors level or Advanced Placement courses will still have required reading. For example, incoming 9th grade honor students will read The Alchemist and The Book Thief while 12th grade Advanced Placement English Literature Students will be given the choice to read three of the following five titles: Bel Canto, The Story of Edgar Sawtelle, The Poisonwood Bible, Little Bee, or A Thousand Splendid Suns.

Before students leave for the summer, we plan on putting books into as many hands as possible. We will encourage students to organize themselves with book buddies, a suggestion from a post by Christopher Lehman, having them organize who they will be reading alongside, someone who they could talk with about their reading. The students have Shelfari accounts and can communicate online during the summer. We will promote our own reading book sites and include an audiobook site SYNC that pairs a young adult novel with a classic each week during the summer. For example, August 1 – 7, 2013 will feature Death Cloud by Andrew Lane, read by Dan Weyman (Macmillan Audio) with The Adventures of Sherlock Holmes by Arthur Conan Doyle, read by Ralph Cosham (Blackstone Audio). We will post information about summer reading on our websites, and send out Remind 101 notices.

While the research clearly demonstrates that summer reading is important, how students accomplish summer reading assignments during vacation time is a paradox. Should we assess reading for pleasure, or should students be left on their own and possibly lose reading skills?  Quiz them in September or lose them to the summer slide? No right answer, but good evidence to continue the tradition of summer reading.

Catcher-in-the-rye-red-cover“I heard about this book called ‘Catcher in the Rye,” said Peyton. She was lining up a “book buddy” extra credit assignment to read with Madison.
I reached for two dog-eared copies with the familiar brick red cover, “Meet Holden Caufield,” I said.

Requests for Catcher in the Rye happen every year. Since we do not teach the novel as a whole class read, I am always happy to see the many copies we have circulating for independent reading. J.D. Salinger passed away in 2010, almost sixty years after his bildungsroman, (coming of age story) of a young man’s wanderings one day in New York City captured the angst of late adolescence for an audience familiar with that angst. Houlden Caufield’s voice was unlike any other, and readers adopted the book with a fervor that bordered on fanaticism. As evidence, there are well-worn copies at every used book sale.

In most high schools today, Catcher in the Rye has a reputation, a cult status. Its “banned book” pedigree  interests both conformist and non-conformists. According to World.edu:

Between 1961 and 1982, The Catcher in the Rye was the most censored book in high schools and libraries in the United States. In 1981, it was both the most censored book and the second most taught book in public schools in the United States.

Many of my students know about the book’s banning history from the South Park episode from Season 14: The Tale of Scrotie McBoogerballs.  In this episode, the students at South Park Elementary are given copies of Catcher in the Rye and learn that the book is “filthy, is inappropriate, and made a guy shoot the king of hippies.”
“Can we PLEASE read this book now?” Cartman pleads.
(View at: http://www.southparkstudios.com/clips/267355/lets-read-it-now )
Very quickly, however, the South Park students learn that 60 years after its publication, the language and themes in the story of Holden Caufield’s day are tame by today’s standards; they are dumbfounded and more than a little annoyed that anyone would consider the book inappropriate. My students have expressed the same puzzlement.

With only one major book to his credit, Salinger still commands the media’s attention. A tweet last week by OpenCulture linked the video below of the reclusive 91-year-old Salinger out for a stroll in Windsor, Vermont (2010):

Under the video, Open Culture also posted a series of anecdotes about Salinger, for example, a story about Nicholas Carr (Is Google Making Us Stupid?)

Nicholas Carr, who was working behind the circulation desk at the college library one summer when “a tall, slender, slightly stooped man” walked in. He remembers his boss whispering, “That’s J.D. Salinger”:

Holy crap, I thought. I just saw J.D. Salinger.

About ten minutes later Salinger suddenly reappeared at the desk, holding a dollar bill. I went over to him, and he said he needed change for the Xerox machine. I took his dollar and gave him four quarters.

That’s my claim to fame: I gave J.D. Salinger change for a buck.

Another recent news item on Salinger was published in the New York Times April 23, 2013, “The Young Salinger, Mordant Yet Hopeful” by Dave Itzkoff. The article described that a recent discovery of nine letters by a 22-year-old Salinger “revealed himself to be as playful, passionate and caustic as Holden Caulfield, the self-questioning adolescent who would become his most enduring creation.” The letters refer to other stories “unpublished and presumably lost works from this period”, tantalizing clues that will set Salinger fans hoping for yet unpublished materials to surface.

Salinger’s reclusiveness fascinates my students. In this day and age, his deliberate choice for isolation starkly contrasts from their uber-connected world of social media. Ironically, social media is a place where Holden thrives today. There are several facebook pages devoted to him. A Google map of his adventures complete with quotes details each step of his journey from the Wicker Bar at the Seton Hotel through the Central Park Zoo and into the Museum of Natural History. He would probably appreciate the myriad of Sparknotes, or Schmoop Notes, that help students who fail to complete assigned reading, or fail to listen to the audio book as available on YouTube. Holden has a Twitter account, @holdencaulfield, and a Tumblr account.  A  blog post on Flavorwire in July 2012 lists 10 Things Holden Caulfield Hates About Everyone including phonies:

“You never saw so many phonies in all your life, everybody smoking their ears off and talking about the play so that everybody could hear and know how sharp they were.”

Predictable, we know. But no Holden Caulfield hate list would be complete without it.

Holden is out there mingling with audiences of this connected age, and now he is mingling with two more. Heads down, they are engrossed with his misadventures during our 20 minute silent sustained reading period.
“How’s Holden?” I ask quietly.
“Good,” they chorus without looking up. They have been caught by Salinger, caught by The Catcher in the Rye.

Spoiler alertEnter the spoiler alert. Because the number of ways people hear about stories is increasing, spoiler alerts for books and films are offered as a “heads-up”, a means to prevent plot details from becoming public.  Knowing the end of a story might mean that the strategy of “predicting” a story has been compromised, however, there are genres of stories that absolutely count on predictability, for example, Nancy Drew will always solve a mystery with her best friend, Bess and George, while on TV, predictability has a time limit; the shipwrecked crew will never leave Gilligan’s Island (30 mins) and House will solve a medical mystery (60 mins).

Predictability means to state, tell about, or make known in advance, especially on the basis of special knowledge, and students are taught at an early age that making predictions can help them to determine what will happen in a story.

I noticed how predictions are important even if the end has already been decided when my six-year-old niece was watching the Disney film Running Brave. This was her favorite film, and she watched the VHS tape every afternoon. On one such afternoon, I noticed she was drifting asleep, so I made a move to turn off the video.

“Wait,” she cried out, “I think….I think he’s going to win again.”

From her perspective, the outcome of the race was still in doubt. The cinematic elements, the tight editing of shots , and a triumphant soundtrack created suspense where the viewer might doubt the inevitable. Krista had seen the movie hundreds of times, but she still was “testing” her prediction.

I admit that I have felt the same way watching Miracle, holding my breath for the final seconds wondering if the US ice hockey team would still win the Olympic medal. Krista’s experience is also mirrored in the classes where students often choose books based on a movie that they have seen.

In the independent reading allowed in our curriculum, the 9th graders can choose contemporary fiction or non-fiction, and many of the titles have movies in circulation, for example:

Some students purposefully choose these books because they know the endings, and in knowing how the book ends allows the reader to pay more attention to the craft of the author in bringing all the plot points together in a conclusion. Take for example, the Harry Potter series. Most readers predicted with certainty that Harry Potter would finally face his nemesis, Voldemort. The how and when, however, were still very much in the air, and J.K.Rowling’s crafting of the series’s magical settings and character development kept readers in a willing suspension of disbelief for the length of seven volumes. The final conclusion was satisfying to her fans who knew all along that Harry would prevail, after all, Good’s triumph over Evil is a predictable plot. Readers and filmgoers were not disappointed in following the story of a boy with the scar on his forehead because in each volume and subsequent film release, they correctly predicted that “I think…I think he will win again.”

So when I teach a whole class novel, I know there are some students who already know the ending. They may have reached the conclusion before others, or been informed by older students who notoriously share their opinions and critical information with younger students. In this case, my role is to impress on students that knowing the outcome will not destroy a well-told story, and to focus their attention on the other elements. This was the case with John Steinbeck’s Of Mice and Men.

“I heard this is a sad book,” one student said when I assigned the first chapter, “One guy kills another guy.”
Other students looked up for my confirmation.
“Yes, this is a sad book, but the reason for the sadness is really about caring. We will grow to care for these characters.”
“I already don’t care if I already know what happens,” was his reply.
Four weeks later, this student refused to watch the final scene in the film version.
“I know what happens, and I cannot watch,” he said sadly as he walked out into the hall.

The same sentiments are expressed at the beginning of our study of Shakespeare’s Romeo and Juliet.
“Guess what? They die,” said a student as I passed out the books.
“Yes, they die,” I kept passing out the copies.
“So why are reading this?” another asked.
“Because this is a great story,” I responded, “and the story’s ending will mean more after we finish because we will have read how Shakespeare writes about these ‘star-cross’d lovers’.”
“But we already know how it ends!” they whined.

Now that we are in Act III, no one cares that they know the end, instead, they are recognizing how Shakespeare creates the tragedy. They notice the “hints”: Juliet seeing Romeo “As one dead in the bottom of a tomb”, Friar Lawrence’s herbs of “Violent delights”, and “Love devouring death”.

This discovery of an author’s details makes students more appreciative of the craft in writing as they still try to predict. They notice Shakespeare’s allusions: “Such a wagoner/As Phaeton would whip you to the west/And bring in cloudy night immediately” (3.2.2-4), because we had studied the Phaeton myth earlier in the year.

“Uh-oh. That’s not good,” I heard one say, “Romeo’s gonna crash and burn like Phaeton.”

That kind of analysis is exactly what the English Language Arts Common Core would like to see in a close reading of a text. How interesting that students who already know “what happens” may be better at picking up on an author’s craft that a close reading generates.

Spoiler alerts do warn those readers or viewers who want to be surprised, but knowing the ending does not necessarily ruin the reading or viewing experience. Want to experiment? Here are 50 plot spoilers for 50 novels. I predict that each novel will not disappoint, even if you already know the ending.