Archives For November 30, 1999

Book Choice Questions

March 1, 2014 — 1 Comment

book loveIndependent reading in our school grades 7-12 means students read books of their own choosing, make recommendations, and keep records of what they read. Recently, however, one of the English teachers in my department suffered a concussion and while the substitutes delivered the curriculum (John Steinbeck’s Of Mice and Men and Laurie Halse Anderson’s Speak), student independent reading had fallen out of regular practice.

Our latest substitute (Natalie) is an enthusiastic graduate of our high school school who has a BS degree in Creative Writing. She has been serious in tackling her lack of experience in the classroom through her best characteristic…she asks questions. She asks a lot of questions.

One of the latest questions she asked was about independent reading. When I expressed my concerns about having the practice reestablished, she seemed doubtful. I suggested that she have students use books they read independently to make connections with the most recent whole class novels.

“You can ask them if they can make a generic ‘coming of age’ connection between Speak and a book of their choosing,” I suggested.

“But what if they choose a book that doesn’t have that connection? What if they choose a book that is too young for them?” she continued, “or a book that they already read? How do I know what they should be reading?”

I recognized her questions; I had those same questions myself several years ago.

So, I sat her down and showed her the following Penny Kittle video that is available through Heinemann Publishers on YouTube under the title “Why Students Don’t Read What is Assigned in Class”:

She had the same reaction I did when I first saw that video.

“Wow,” she said, “I get it. They should read what they want.”

Question answered.

My department is just noticing the benefits after a few years of implementing book choice. We are lucky to have an 80 minute block schedule with the luxury of offering 15-30 minutes a class for Silent Sustained Reading (SSR) independent choice books. We have large classroom libraries with high interest titles and a wonderful school library (with Overdrive e-books available)  to offer students choice in what they read. When we tell students to pull out their SSR book, they are prepared and settle in to read.

Some classes suggest that a book be in a particular genre. Our English IV-Memoir class reads memoirs or biographies. The English II class is based on World Literature, and students read at least one book during the year by an author who is not American. The critical requirement is that each student chooses a book. There is no leveled reading; students can choose a book below their reading ability or they can attempt a book above their lexile level. They learn what to choose to read because they have control of what they want to read.

Penny Kittle, an English teacher and literacy coach at Kennett High School in North Conway, New Hampshire, wrote a guide to helping students read independently titled Book Love. In this text, Kittle offers strategies to help teachers increase the volume of what students read and to deepen student thinking about what they read.

One of the strategies several of our teachers use is to have students respond to reading through the software Shelfairi (Amazon) where they record what they are reading and make connections to other books. I can organize each class in virtual groups and pose general questions for responses. These short responses prepare me for conferences or allow me to respond directly on the software with links or information or suggestions. For example, the English IV Mythology/Fantasy class reads mythologies or fantasies, and I posed a simple question last week and left quick responses for a conference:

How are you doing with your book? What are the connections to myth/fantasy that can you make?

STUDENT: Eragon: So far I am doing well with this book. My book connects with mythology because it is about Eragon who finds a stone which ends up being a dragon egg, and he bonds with the dragon over time. He and Saphira (the dragon) learn to communicate with one another and have a good connection. Saphira and Eragon create a good relationship with one another.

My response: This is a great fantasy…and a series. This novel has elements of the hero’s journey: http://www.thewritersjourney.com/hero’s_journey.htm

STUDENT: Ranger’s Apprentice-The Royal Ranger: Good. I have 10 pages left until its over. Its the final book in the series. There is a giant myth that rangers have special and mystical powers. But that is just false. They are just super stealthy which gives them the appearance of just appearing out of no where.

My response: Now what will you read? Another series?

STUDENT: The Alchemist: The Alchemist is a good book. It has to do more with fantasy than mythology, but there is a myth about a treasure in the pyramids.

My response: And the “stones” have a story behind them as well. Did you know this book is on the NY Times Bestseller list for 291 weeks?

While there are multiple software platforms for sharing book choices, I also find that the features on Shelfari are helpful in having students “shop” for books (without purchasing) and/or write responses using evidence. There are tabs for a book’s Description, a Ridiculously Simplified Synopsis, Characters/People, Quotes, and First sentence. There are recommendations and reviews by other readers for each title as well. The student responses can agree or refute other reviews; they can add information to a book’s page as well.

Regardless of platform, sharing what students choose to read is critical to helping them develop a love of reading. The advertisement for Kittle’s Book Love states,

“Books matter.  Stories heal.  The right book in the hands of a kid can change a life forever.  We can’t wait for anyone else to teach our students a love of books—it’s up to us and the time is now.  If not you, who?”

And that is a very good question.

There are waves from England that reach America’s shores.

There are literary waves.
George Orwell’s Animal Farm was published in America in 1946.

There are musical waves.
The Beatles came to America in 1964.

George Orwell used satire as a commentary on Communism in the USSR and the rise of Stalin in his allegory Animal Farm.

John Lennon used the lyrics in the song Revolution as a response to the increase of protests against the Vietnam War, specifically student riots in Paris in May of 1968.

Satire, politics, protests….so many connections. Why not share them in class?
Why not share the Beatles’ song Revolution while students read Orwell’s Animal Farm?

“Revolution”

You say you want a revolution
Well you know
We all want to change the world
You tell me that it’s evolution
Well you know
We all want to change the world
But when you talk about destruction
Don’t you know you can count me out

Don’t you know it’s gonna be alright
Alright, alright

You say you got a real solution
Well you know
We don’t love to see the plan
You ask me for a contribution
Well you know
We’re doing what we can
But if you want money for people with minds that hate
All I can tell you is brother you have to wait (Revolution lyrics continued…)

After we read first chapter of Animal Farm aloud in class, I played the video of the Beatles performing the song Revolution. For some, this was the first time they had ever heard the song; for some, this was the first time they had seen the Beatles perform.

After watching the video, I posted an assignment to use the power of music – “to write a song for your cause.” The directions given to the students were:

You say you want a Revolution….?
Well, you have to write your song!! (for extra credit)

Step 1: Identify your cause. What makes you angry? What do you see as a problem in society? What is your Pet Peeve? What would you like to change about your world? This can be something big or little.

Step 2: The power of music! To persuade people to join your revolution, (like Major’s Beasts of England) you have to write a song.

Step 3: Share your lyrics, and we will join you in song (karaoke tunes preferred)

Their protest songs came in. In their songs the students protested: homework, English class (*sigh*), the school parking lot ban on underclassmen, bad weather, cafeteria food, Twilight movies, dirt clods in the hallways from steel-toed boots, the ban on cupcakes in class, and (and there were several of these), Justin Bieber.

While their songs were unlikely to inspire a revolution, they did appreciate the power of music in communicating a message. Their reactions to their own songs of protest were positive, but they admitted that their songs did not have the same power as the Beatle’s Revolution. They recognized Orwell’s statement on the power of song in Animal Farm “The Beasts of England” sung at the end of Chapter One. That song (sung to the tune of My Darling Clementine) was a take-off on the famous socialist anthem, The Internationale:

Beasts of England, Beasts of Ireland,
Beasts of every land and clime,
Hearken to my joyful tidings
Of the Golden future time.

Soon or late the day is coming,
Tyrant Man shall be o’erthrown,
And the fruitful fields of England
Shall be trod by beasts alone…….(continued )

 “…The singing of this song threw the animals into the wildest excitement…. And then, after a few preliminary tries, the whole farm burst out into Beasts of England in tremendous unison….” (Ch1:Orwell)

Orwell was demonstrating how the lyrics in a song could motivate. The student protest songs, however, were more entertaining than motivating. The Beatle’s song Revolution is both entertaining and motivating, a song written four years after their momentous arrival in America.

From the moment the Beatles disembarked from Pan-Am flight 101 on February 7, 1964, they were a force in American music. Yet, according to TIME magazine’s story, Beatlemania Begins: The Beatles First U.S. Visit to Play Ed Sullivan, the Beatles were surprised by how their music had made thousands of frenetic fans:

Just before 1:30 p.m., Flight 101 taxied to a stop outside the terminal and the aircraft door popped open. An explosion of cheers and screams rang out as the crowd stormed forward….

“We heard that our records were selling well in America,” George [Harrison] noted, “but it wasn’t until we stepped off the plane … that we understood what was going on. Seeing thousands of kids there to meet us made us realize just how popular we were there.”

Their first appearance on The Ed Sullivan Show (February 9) featured a set list that set fans shrieking:

  • All My Loving 
  • Till There Was You (Sue Raney cover)
  • She Loves You 
  • I Saw Her Standing There 
  • I Want to Hold Your Hand

Those five songs began the domination of pop music charts, coined the term “Beatlemania”, and changed the culture of a generation. The Beatles proved the power of music, so our protest song assignment capitalized on student awareness of this power. The students shared what they would protest if given the opportunity. They had a chance to make connections between two genres, between a set of music lyrics and a set of lyrics from a novel-both of which were penned by Englishmen.

This was also an opportunity for me to highlight the Beatles. Students watched and listened to a recording of the “Fab Four” who created a revolution in music here in America; they saw those “lads from Liverpool” who invaded America from England many Yesterday’s ago.

The English I Honors teacher in my department recently suffered a serious concussion; no reading or writing for several weeks. Her classes must go on, however, and the new unit on John Steinbeck’s Of Mice and Men is next in the curriculum.  A long term substitute is scheduled for next week, and the students could easily read the novel before her arrival.

Moreover, there is a packet of information and worksheets in the file cabinet with background information on the 1930s and the author, John Steinbeck. The practice of providing such a lengthy introduction, however, is associated with “over-teaching”, a practice now discouraged in the Common Core English Language Arts Standards. In statewide tests students will have to meet the standards of the Common Core, and they will encounter texts from many different sources. The recommendation is that students should practice “close reading” where they can independently mine the language of the text for meaning:

“Students who meet the Standards readily undertake the close, attentive reading that is at the heart of understanding and enjoying complex works of literature. They habitually perform the critical reading necessary to pick carefully through the staggering amount of information available today in print and digitally” (ELA Common Core)

The 9th graders could be staggering indeed; they have just completed a unit on Greek tragedy using Oedipus the King. Some students might suffer whiplash in the jump from 5th Century BCE Ancient Greece to 20th Century California in the Salinas Valley. There needed to be a powerful “bridge” to prepare students for this leap in time and ensuing debate between free will and fate.  What could be accomplished without the teacher directed lecture, especially if the teacher is not available? What format could saturate students in an environment of the 1930s?

A few minutes of research on YouTube provided an answer; I could have a substitute show students several versions of the Bing Crosby’s song recording of Yip Harburg and Jay Gorney’s anthem for the Great Depression, “Brother, Can You Spare a Dime?”

The historical accuracy of some of the photos in this first rendition may be questionable, but the message of an average man’s struggle to find employment in the early 1930s is made very clear. The second version below is a sing-a-long-version that is particularly good as a karaoke opportunity. After watching the first version, all students sang along, some with more gusto than others, following Crosby’s cadence in the second version:

After singing, the students reviewed the lyrics:

“Brother, Can You Spare a Dime”

lyrics by Yip Harburg, music by Jay Gorney (1931)

They used to tell me I was building a dream, and so I followed the mob,
When there was earth to plow, or guns to bear, I was always there right on the job.
They used to tell me I was building a dream, with peace and glory ahead,
Why should I be standing in line, just waiting for bread?

Once I built a railroad, I made it run, made it race against time.
Once I built a railroad; now it’s done. Brother, can you spare a dime?
Once I built a tower, up to the sun, brick, and rivet, and lime;
Once I built a tower, now it’s done.

Brother, can you spare a dime?

Once in khaki suits, gee we looked swell,
Full of that Yankee Doodly Dum,
Half a million boots went slogging through Hell,
And I was the kid with the drum!

Say, don’t you remember, they called me Al; it was Al all the time.
Why don’t you remember, I’m your pal?

Buddy, can you spare a dime?

Once in khaki suits, gee we looked swell,
Full of that Yankee Doodly Dum,
Half a million boots went slogging through Hell,
And I was the kid with the drum!

Say, don’t you remember, they called me Al; it was Al all the time.
Say, don’t you remember, I’m your pal?

Buddy, can you spare a dime?

These lyrics provided students an opportunity to “close read” the context of the Great Depression, particularly in the lyrics “Once in khaki suits, gee we looked swell” and “Half a million boots went slogging through Hell.” While they understood that after the stock market crash there were unemployed men who had helped in the building of railroads and towers, more than one student made the connection that there are currently soldiers who have returned from serving in Iraq or Afghanistan who have not found employment either. Their brief discussion was enough to set up Steinbeck’s tale of Lennie and George, who share a dream of finding employment to be independent farmers raising rabbits.

Once the background was established, students could then read the novel independently, the way the Common Core recommends in the reading standards. Additionally, the long-term substitute can now complete the leap from classical to contemporary tragedy without having to dwell on historical context. The only downside might be getting rid of “Brother, Can You Spare a Dime?”… a song-worm now in their brains!

The end of each year is always marked by a roundup or ranking of the year’s most memorable stories. 2013 was no exception. For example, CNN.com ran a poll on the top 10 news stories of 2013 which were then ranked by CNN.com readers:

  1. NEW POPE
  2. BOSTON MARATHON ATTACKS
  3. MANDELA DIES
  4. EDWARD SNOWDEN LEAKS NSA
  5. FEDERAL GOVERNMENT SHUTDOWN
  6. OBAMACARE ROLLOUT DEBACLE
  7. PHILIPPINES TYPHOON
  8. SYRIA CIVIL WAR
  9. CLEVELAND KIDNAPPINGS
  10. SAME-SEX MARRIAGE

All of these stories showed up on other news websites, perhaps ranked differently, but there was remarkable consistency nationally and internationally on how we will remember the year 2013. Pope Francis, the Boston Marathon, and the conflict in Syria dominated the top of most lists.

Screen Shot 2013-12-29 at 2.46.50 PMMany of these stories will soon be, or are already, the subject of non-fiction books, and some of these stories could be retold with such excellence as to be considered for the Samuel Johnson Prize. This prize is an award given annually for the best writing in current affairs, history, politics, science, sport, travel, biography, autobiography and the arts. This prize, named for the 18th Century English author Samuel Johnson is associated with the BBC (British Broadcasting Company) and awards author(s) of any nationality “whose work is published in the UK in English.” The most striking quality of the Samuel Johnson Prize is its motto that “All the best stories are true.”

There is truth in fiction as well. For example, even 2013’s most outlandish film Sharknado, has a degree of truth. The film detailed a supernatural phenomenon where thousands of sharks, scooped from their watery environment, twisted into another force of nature. The film generated waves of chatter on social media sites, so much so that the website Deepseanews.com speculated about the film’s implausibilities and calculated the physics of tornados holding great white sharks aloft. Researchers concluded in a post titled “Recipe for a Sharknado” that, “Winds in the most intense tornadoes are strong enough to keep a shark airborne.” Unlikely? Yes. Impossible? Physics suggests how.

The year 2013 provided many true stories that also lend themselves to possible re-tellings. The following three true stories of 2013 get my votes as the best potential candidates for future re-tellings, either as fiction or non-fiction:

1. NY TimesDiscovery of Art Looted by the Nazis:
The upcoming film The Monuments Men (February 2014,) where “a World War II platoon is tasked to rescue art masterpieces from Nazi thieves,” is a timely example of the storytelling potential about looted art. This past November, Bavarian authorities arrested an art dealer in his  Munich apartment uncovering a horde of art stolen during WWII. The recovered 1,500 works by Pablo Picasso, Max Liebermann, Ernst Ludwig Kirchner, Marc Chagall, Henri de Toulouse-Lautrec, Gustave Courbet, Auguste Renoir and Canaletto are estimated to be worth $1.4 billion. Since the discovery was made public, there are suspicions as to when authorities first knew about the stockpile. The intrigue abounds in this latest episode of Nazi treachery that continues to today.

2.Amazon.com:  Commercial Delivery using Drones:
While today’s science fiction writers may scoff at so pedestrian an example of technology, delivery drones could be fictionalized as key characters, featured perhaps in dystopian literature. While Hedwig, Harry Potter’s delivery owl, was a fantasy, a writer may consider that the possibility for pet drones has potential. The CEO of Amazon, Jeff Bezos, demonstrated that drones could be used for delivery purposes, in 30 minutes or less, and what better audience in a consumer culture motivated by immediate gratification than an audience of young adults? Storytelling or story-commercials…or both?

3. NYTimes: Richard III Rediscovered
My favorite story this year was the discovery of the bones of Britain’s medieval monarch, Richard III, paved over in a parking lot. He had been killed in 1485, at the Battle of Bosworth Field, the last king of England killed on a battlefield. This archaeological find, also dubbed the “King in a Car Park” in the video from the British Channel 4, put an end to the search for remains of the former king of York. A shorter version of the discovery is available from the University of Leicester:

Richard III had been characterized as a brutal tyrant by Shakespeare in the historical play Richard III, but an organization known as the Richard III Society  has tried to clear his reputation. The remains found so ingloriously buried were identified by his hunchback and the bones that bore the scars of the battle that killed him, including eight wounds on his skull.

Richard IIIThe subject of Richard III has already been fictionalized by the great writer Josephine Tey in her 1951 detective story The Daughter of Time. In this novel, she directly confronted Richard III’s sordid reputation in an attempt to clear him of any misdeeds. This latest archeological find is also ripe with storytelling possibilities.

In the end, though, how we will remember 2013 will be through the stories that we created ourselves. We will remember the births, deaths, accomplishments, failures, celebrations, and losses we experienced over the past 365 days of 2013. We will remember because we have, individually and collectively, made the stories of 2013, and the best stories are true.