Archives For September 30, 2011

I recently read that Leonard Marcus, a childrens literature historian, is completing a book about Madeleine L’Engle, called Listening for Madeleine. He explains that the book will be “a ‘portrait in many voices’ of the author A Wrinkle in Time, presented through a series of interviews with fifty friends, family members, and colleagues who knew her well.”

My 1963 copy of A Wrinkle in Time had this cover

A Wrinkle in Time was one of my favorite young adult reads, a fact I have noted in earlier blogs. I discovered my hardcover copy  under the Christmas tree, and although I finished reading the book that same day, I spent wonderful hours rereading the story of Meg Murray, her “boyfriend” Calvin,  and her younger brilliant brother Charles Wallace who “tesser” to the planet Camazotz to save Meg’s father. I loved the story.

But I have never confessed publicly how on one occasion twenty years ago, my love for the book completely undermined my sensibilities.

In 1991, a local bookstore advertised that they would host authors for book signings. To my great joy, one of the authors invited was Madeline L’Engle. I was delighted; my favorite YA literature author was coming to a local bookstore!

I immediately called my mother in Boise, Idaho, to see if she could locate my childhood copy of A Wrinkle in Time and mail it to me so that I could have the book signed? She spent several hours looking through boxes of books that had been shipped from Connecticut two years earlier when the family relocated to Boise. Once she located the book, she called to tell me that my copy was really in a very worn condition.
“I’m not sure that the author is going to want to see how badly you treated this book,” she chuckled.
I assured her that the condition of this text was confirmation of my love of the book. I even recited a few lines over the phone could recite lines from the book (“Wild nights are my glory!” and “‘Mrs. Whatsit hates you,’Charles Wallace said”). I recounted L’Engle’s  literary joke, “It was a dark and stormy night….!”
She mailed the book back to me.

I marked the date for the author’s visit on my calendar. No appointment, soccer game, or relative get-together would keep me from this meeting. I would tell Madeline L’Engle how she had been such an influence on me. I would recount to her how I imagined myself as Meg, a brilliant outsider, fighting for the return of her equally brilliant father and brother. In reality, I was not brilliant, and my family was rather average in intelligence, but I very definitely felt like an outsider. I even rehearsed how I would greet her, “Ms. L’Engle? When I was a teen, I read your book a thousand times!”
The day before the author visit, I was suddenly seized with the notion that reservation were required for the event. I panicked. Did I miss something in the notice? I quickly called the bookstore to make sure I would not be shut out of this event.

“Oh, I am so sorry to tell you that Ms. L’Engle will not be coming,” said the voice at the end of the phone.
“What? Why not?” I was immediately upset.
“Ms. L’Engle was in a serious car accident this past week and has been hospitalized.”
There was a pause.

Ms. L’Engle was not coming? I would not get my book signed? I had the book! I had the book sent from Boise, Idaho!
“Well,” I stammered, “when will she be be here? I mean..will you reschedule?  I wanted to get….”

WAIT! What was I saying?? My favorite author was nearly killed, and I was still worried about having a book signed?
Where was my sense of compassion?
Where was my sympathy?

“I mean…I…I am so sorry!” I finally blurted out a proper sentiment. “I mean, I hope she she will get better soon.”
I hung up quickly, lest the call be traced back to me.
I was terribly disappointed, but I became increasingly distressed about my reaction. I could not believe how selfish and clueless I must have sounded on the phone.
My mother called later that week.
“Well, what did the author say about your copy of the book?” she asked.
I had to confess my inappropriate behavior to my mother… to my mother, for goodness sakes!
She offered her sympathy for Ms. L’Engle, scolded my lack of compassion, and reminded me to take better care of my books.

Several months later, as an anniversary gift, my husband sent my copy to Ms. L’Engle, who was still recuperating, to have the book signed.

On the title page, in large curvasive script is the inscription, “for Colette Bennett-Tesser well-Madeline L’Engle”

I never did meet her. I hope the condition of my copy showed how much I cared.

"Ill met by Moonlight, proud Titania"

Ill met by moonlight, proud Titania,” reads Karl off the script. He looks confused, “I’m ill?” he looks puzzled. “Am I sick?”

“You’re not sick…We are having a fight!” responds an irritated Nicole, who is playing the fairy queen. She continues to read: “What, jealous Oberon! Fairies, skip hence:/I have forsworn his bed and company.”

“Whoa, looks like someone is sleeping on the couch tonight!” chimes in Sam from the audience.

Students in English II are acting out scenes from William Shakespeare’s A Midsummer Night’s Dream in preparation for a field trip. Their response to the play is not unlike the response of Shakespeare’s original audiences; there is no high browed reverence here but rather a steady stream of commentary coming from the “groundlings” sitting in desks.

A fight between a fairy queen and a fairy king as part of a comedy by Shakespeare is a break from the too serious literature of adventure, war, and tragedy (Animal Farm, Night, Beowulf, All Quiet on the Western Front, Lord of the Flies) that is usually featured in the sophomore curriculum. For two weeks, the students are wrapping themselves in costume tulle, strapping on  wings, donning crowns while they stumble through the language of Elizabethan comedy. Their experience is not a singular one. Today, a student’s first introduction to the bard usually takes takes place in the classroom. On any given day, at any school hour in classrooms all over this country, students from elementary grades through high school are struggling with iambic pentameter in decoding Shakespeare’s poetic language. This indoctrination is part of a long standing American tradition.  Since the beginning of America’s history, Shakespeare has lived on American soil.

W. H. Harrington. Wreck of Sea Venture. Painting, 1981. Courtesy of Bermuda National Trust and Bermuda Maritime Museum.

Perhaps it was Shakespeare’s fascination with the new colonies in the Americas that initiated the relationship. His play, The Tempest, is loosely based on the 1609  wreck of the Sea Venture near the Bermudas on its way to Jamestown. Prospero and his daughter Miranda are shipwrecked on a island for many years. When visitors arrive after a storm to break their exile, Miranda marvels at the meeting by proclaiming “O brave new world/ that has such people in it.” In the play, Miranda’s line is ironic; she is unaware that several of these visitors were less than desirable types. However, for the British and people in the countries of Europe, the American colonies were the brave New World, full of hope and promise laced with a tantalizing dash of danger and adventure.  Americans reciprocated this compliment with a slavish devotion to Shakespeare that continues to this day.

This relationship between Americans and Shakespeare is detailed on the National Endowment for the Arts (NEA) website, “The earliest known staging of Shakespeare’s plays in the colonies was in 1750. By the time of the American Revolution, more than a dozen of his plays had been performed hundreds of times in thriving New England port cities and nascent towns and villages hewn from the wilderness.” By the 1830’s, Alexis de Tocqueville, visiting from France, wrote extensively about his travels in the United States (Democracy in America) noting, “There is hardly a pioneer’s hut that does not contain a few odd volumes of Shakespeare. I remember that I read the feudal drama of Henry V for the first time in a log cabin.”

Shakespeare was embraced by the Americans through their nation’s rapid expansion beyond the original 13 colonies, and the NEA states that “plays were produced in large and opulent theaters and on makeshift stages in saloons, churches, and hotels. From big cities on the East Coast to mining camps in the West, his plays were performed prominently and frequently.”  Mark Twain took advantage of American’s familiarity with the troupes of English actors who traveled to the colonies, and incorporated Shakespeare into his classic Huckleberry Finn. Twain’s Huck travels with a pair of con men who practice the balcony scene from Romeo and Juliet and the sword fight from Richard III on the raft while they botch Hamlet’s “to be or not to be” soliloquy. Twain counted on his audience’s acquaintance with Shakespeare’s texts in order to set up this parody.

Interesting historical trivia about Shakespeare in America includes the casting of Lieut. Ulysses S. Grant on the eve of the Mexican War into the role of Desdemona from the play Othello. Apparently he never performed, lacking “the proper sentiment”, and a female was recruited at the last minute to replace him. Edwin Booth, the elder bother of John Wilkes Booth, toured the Western United States during the Gold Rush, and enjoyed enormous acclaim performing plays by Shakespeare. Apparently, the best theaters in the East were not as profitable as performing in the raucous camps where theater tickets were paid for in gold nuggets and bags of gold dust. Edwin is also credited with saving the life of Abraham Lincoln’s son, Robert, on a train platform the same year his brother John Wilkes assassinated Lincoln in 1865.

Contemporary Americans have a deep love for Shakespeare by producing his plays in theaters and in film with more frequency than any other playwright. Almost every state has a theater dedicated to exclusively performing Shakespeare’s plays.  Films of his plays, most recently The Tempest starring Helen Mirren as as a female Prospero, or with remakes of his material. The Taming of the Shrew was memorably relocated to an urban high school in Ten Things I Hate about You with Julia Stiles as the intractable Kate, a film that remains popular with American audiences. The Common Core Standards in Language Arts require his plays be taught in classrooms at the high school level. All this attention explains why students willingly (or unwillingly) wrap themselves in costume tulle, wear wings, don crowns and stumble through the language of Elizabethan drama. Like Kyle and Nicole, they may fight in the roles of the Fairy King and Fairy Queen, or they may analyze the reasons  Macbeth usurps the throne. They may research the origins for Henry the V’s “Band of Brothers” speech, or  memorize the prologue to Romeo and Juliet. Because watching, performing, and learning Shakespeare is an American classroom tradition.

As I shop for used books in area thrift stores and local book sales, I cannot help but notice when a book title “jumps the shark”, a term coined by the TV series Happy Days to mean when something has lost its “cool” factor.  The first book in the Millennium series, The Girl with the Dragon Tattoo, by Swedish journalist and writer Stieg Larsson illustrates this phenomenon. Books lose their "cool" factorMultiple copies of Larssen’s trilogy The Girl with the Dragon Tattoo are now appearing on used book tables. While the book currently remains on the New York Times best seller lists at #17 , copies are available for $1.00-2.00 in the used book market, sometimes available well into day two or three of a library book sale. Simply put, the book has reached a critical mass saturation of readers, and like Dan Brown’s uber-popular The DaVinci Code, this series has become disposable.
Beginning in 2006, people were purchasing copies of The Girl with the Dragon Tattoo in Britain and Europe where publishers released copies earlier than here in the US. The Girl with the Dragon Tattoo and its sequels, The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest, were almost required reading in airports from 2008-2011; they were de rigor on beaches as summer reads.
The trilogy followed Lizbeth Salander, a fiercely independent computer savant, a grown-up Pippi Longstocking with attitude, and her involvement with the disgraced magazine editor Mikael Blomkvist, in solving a series of crimes. Larsson’s had the ability to place the reader in suspense with unexpected plot twists featuring a plethora of vile characters intent on eliminating Salander and Blomkvist.
Although there were critically acclaimed Swedish films made for the series, a US movie version will be released this year which will most likely result in an uptick of book sales with movie-tie in editions.
Despite their compelling plots and character, I have not put any of these texts into classroom libraries for students. Some of the language and plot points include disturbing sexual violence towards women; the original title was Men Who Hate Women. That said, I have not banned the book should a student choose to read one of the books independently.
In shopping for used books, I have watched other titles “jump the shark”, and my classroom libraries have benefited from these swings in popular reading trends. Entire classrooms have been outfitted with $1.00 copies of books that were initially embraced by the general reading public, and then just as quickly, disposed into the used book market. These fiction and non-fiction titles include:
The Kite Runner by Khaled Hossani
The Secret Life of Bees by Sue Monk Kidd
Cold Mountain by Charles Frazier
Snow Flower and the Little Fan by Lisa See
The Lovely Bones by Alice Sebold
The Memory Keeper’s Daughter by Kim Edwards
Three Cups of Tea by Greg Mortenson and David Oliver Relin
The Devil in the White City by Erik Larson
Nickle and Dimed by Barbara Ehrenreich
The Blind Side by Michael Lewis
A Walk in the Woods by Bill Bryson
The Glass Castle by Jeanette Walls

The most recent titles currently on the best seller list that have “jumped the shark” have been added as independent reading choices. These books are usually placed in grades 11 and 12:
The Art of Racing in the Rain by Garth Stein
Water for Elephants by Sara Gruen
Little Bee by Chris Cleave

Young adult literature (YA Lit) also experiences these ebbs and flows in book titles. Three summers ago, finding a copy of Twilight on a used book table was a coup. Today, one could fill a classroom with copies of any one of Twilight trilogy. Similarly, any one of the titles in JK Rowling’s Harry Potter series can be located as a used book, however, it should be noted that these used copies show much more wear and tear than any other series of books. Whether their condition is an indicator of the careless nature of adolescents towards the care of books or the degree to which Harry Potter books were read and re- read, it is hard to determine.

As I write this, I am impatiently waiting for The Help by Katherine Stockett which I want to pair with To Kill a Mockingbird or place in a unit focused on Civil Rights in Literature. This fictional account of interviews conducted with maids of Jackson, Mississippi, during 1960s is ideal for placing readers into the mindsets of households contending with the demands for racial equality which dominated the culture of the time.
Based on the 34 weeks this book has spent at the top of the best seller list (where it still is #1 in paperback trade books), I know there are copies in a multitude of households. When copies of The Help are finally discarded into the used book market, I will jump for them….like a shark.

Danbury, Connecticut, is the closest metropolitan area near me (population 80893), and this past weekend, the Friends of the Danbury Public Library held their annual sale. The first remarkable fact about this event is that the 80,000 books available to the public for sale, transported several miles from the library location to the Danbury PAL building at the other side of town, arrived in alphabetical order! This was a very well-organized sale; browsing the fiction tables was a breeze.

The second remarkable fact about this event would be the surprisingly large number of biographies, auto-biographies, and memoirs donated by Danbury residents. Three long tables laid end to end were laden with all manner of biographical materials, and under these tables, there were boxes filled to overflowing with additional selections. Interestingly enough, most of these books were “solo” copies; duplicates, with the exception of  Angela’s Ashes by Frank McCourt (an area favorite) and The Glass Castle by Jeanette Walls, were hard to find. A cultural anthropologist attending the sale could speculate as to what the fascination biographies, auto-biographies, and memoirs have for Danbury readers. Are the residents “people”-people? Is there a strain of  voyeurism running through their veins? Or are they simply curious about the lives of the rich and/or famous? (Did former Danbury resident Robin Leach have anything to do with this trend?)

One of the many titles available to add to Memoir class

The plethora of memoir titles provided the following as selections for independent reading for the 12th grade memoir class:
Madhur Jaffrey– Climbing The Mango Trees: A Memoir Of A Childhood In India.
Gail Caldwell- A Strong West Wind
Ann Patchett- Truth and Beauty
Lucy Grealy- Autobiography of a Face
Meredith Hall –Without a Map: A Memoir
Patrick Moore-Tweaked: A Crystal Meth Memoir
Rory Stewart- The Prince of the Marshes: And Other Occupational Hazards of a Year in Iraq
Janice Erlbaum- Girlbomb: A Halfway Homeless Memoir
Claire Fontaine and Mia Fontaine- Come Back: A Mother and Daughter’s Journey Through Hell and Back (P.S.)
Linda Greenlaw- The Hungry Ocean: A Swordboat Captain’s Journey 

For Grade 11, there were multiple copies of  Louise Erdrich’s Love Medicine Sebastian Junger’s War, and Michael Sharra’s The Killer Angels.

Multiple copies of The Bluest Eye were available. This text is under a book challenge by a neighboring community

There were also multiple copies of Nobel prize winning author Toni Morrison’s The Bluest Eye, an indication that the book is on a Danbury school or local book club’s reading list. Currently, this book is being challenged by parents in the neighboring town of Brookfield. According to the local media, the Brookfield challenge to have the book removed (Honors Grade 11 class) is largely led by individuals who have not read the book but who have read, and are circulating, excerpts of some graphic scenes; one complainant does claim to have read the SparkNotes.

For grade 10, there were multiple copies of Ishmael Baeh’s A Long Way Gone, Paulo Coelho’s The Alchemist, Mark Haddon’s The Curious Incident of the Dog in the Night-Time, and Deborah Rodriguez and Kristin Ohlson’s Kabul Beauty School.  There also multiple copies of William Golding’s Lord of the Flies and  Erich Maria Remarque’s All Quite on the Western Front in the same editions we have in our classroom libraries.

For Grade 12 independent reading, usually Creative Writing classes, I found multiple copies of Garth Stein’s The Art of Racing in the Rain, and enough copies of Melissa Bank’s The GirlsGuide to Hunting and Fishing as a “test” to see what students think.

I located some “hard to find” titles of books that are always needed including Persepolis: The Story of a Childhood by Marjane Satrapi, Bobbi Ann Mason’s In Country, Cormac McCarthy’s All the Pretty Horses, Joseph Bruchec’s Codetalker, and Laurie Halse Andersen’s Chains. Since we are a vocational-agriculture school, an elective under consideration for seniors is Animals in Literature.  Both of Ken Foster’s books Dogs I Have Met: And the People They Found and his other book Dogs Who Found Me will be added to that bookshelf.

I have noticed that a number of books that currently occupy positions on the NY Times best seller lists have been available at these local library sales. At Danbury’s sale, these titles included Like Water for Elephants by Sara Gruen, Little Bee by Chris Cleave, and The Kite Runner by Khaled Hossani. The Girl with the Dragon Tatoo by Stieg Larsson, and its sequels The Girl Who Played with Fire, and The Girl Who Kicked the Hornet’s Nest escaped the stigma of being limited to the mystery table; all three were placed for readers of fiction who may want to “cross-over” for a thrilling mystery.

An entire side wall was dedicated to VHS tapes. Given the current state of technology, I wonder how much longer VHS will be featured at these sales; their value must be falling as the popularity of online movie streaming or DVD/Blu-ray grows. There were also two tables of audio books, CDs and DVDs. The organizers of the sale had a rather uncoventional approach to the literary canon; the classic literature section was divided from the poetry section with an expansive section of books devoted to humor. Was this placement a commentary on humor as the offspring of the classics? Or was this partition a statement about the lack of humor in the classics? I am not sure.

Unlike other area sales, there was no admission charge for early arriving buyers, so shopping during the first hours of the sale meant contending with book dealers and their ISBN readers. Fortunately, the aisles were wide enough to accommodate people carrying large bags filled with books. Prices ranged from $.50-$2.00;rare books had their own section and were priced accordingly. Volunteers wearing blue shirts and aprons were plentiful. By noon many were engaged in re-stacking tables and filling in gaps created by eager shoppers. Checkout was a breeze. The bill for five large bags of books, roughly 87 books, came to $101.00. The Friends of the Danbury Public Library will reduce the number of books to pack up by having a “bag sale” on Monday, 10/17.

80,000 books donated by residents in a city of 80893 means at least one donated book for each person. That is also remarkable; make this 80,000 Books and Three Remarkable Facts.


Honestly? I am not surprised about the recent drop in the verbal SAT scores. At least once a day, I will hear a student grouse,”I hate to read.” I hear students whine about the length of books. I have students ask in class, “Are Spark Notes available for this book?” Too many students skim the first and last pages to feign understanding. Too many students admit they have not finished a book they started. Too many students prefer to watch the movie than read the book.
Teachers in my English Department are not surprised when we get the results of reading check quizzes. Sadly, we have come to realize that student would rather fail a quiz then spend time reading to prepare themselves.

Why?

Well, reading is a sedentary and solitary activity. Reading demands attention. Reading contends with the demands for student time in and out of school including sports, school club activities, employment. Reading requires uninterrupted blocks of time.

Technology now complicates how reading is accomplished. Students can be engaged in reading through any one of a multitude of digital devices. These platforms, however, are not exclusively reading platforms. A book needs time to “hook” a reader; a device can interrupt that introductory period.  A student can simply click over to another stream of graphics and information should there be a hiccup in reading attentiveness.

In short, with all the demands and digital distractions, many students are experts at gathering information, but simply have not practiced reading.

According the the Washington Post article, What the Decline in SAT Scores Really Means by Valerie Strauss, “Newly released SAT scores [2011] show that scores in reading, writing and even math are down over last year and have been declining for years. And critical reading scores are the lowest in 40 years.” the total drop in critical reading was three points. Even more alarming was the statistic that, “critical reading scores in 1972 were 530; today they are 514.”

So, how do teachers combat this trend? What steps can teachers implement to try to correct the falling scores and move them in the opposite direction? Since teachers cannot control those factors outside our classrooms, I suggest teachers control reading in our classrooms. Against the cacophony of today’s hyper-connected world, teachers must carve out class time for quiet reading. Teachers, especially language arts teachers, must also allow for student choice.

Quiet time in the classroom may be the only time a student can read without distractions, and teacher supervision can contribute to creating this atmosphere.  Quiet time in the classroom can provide an opportunity for a book to capture a student’s interest, for a author’s voice to take hold of the imagination. Even short periods of time, 10-20 minutes a day twice a week, will yield roughly 15-30 hours of quiet reading time during school year. More time means more practice, and there is a well-established correlation of reading time with high standardized tests scores.  Equally important is allowing students to have the authentic experience of choosing  what they read.

As early as 1988, a seminal study titled Growth in Reading and How Children Spend Their Time Outside of School published in the Reading Research Quarterly followed the the academic success of  5th grade students who read voluntarily (Anderson, R., Fielding, L., & Wilson, P.). The study noted that “It was also discovered through these same interviews that students who were in schools where they were given opportunities to read self-selected materials and were given access to materials that they were personally interested in reading were more likely to engage in voluntary reading than those in classrooms where these practices were not evident.” A follow-up article to this study by Linda G. Fielding and P. David Peterson offered a layman’s argument for voluntary reading in the article Reading Comprehension: What Works (Fielding_Pearson_1994). The 1988 study and follow up in 1994 made the argument that the critical time to create voluntary readers was in grades 5 and 6. However, with the trend of decreasing reading scores, all grades should adopt the recommendations of the study.

So, while teachers may not be surprised in the drop in the SAT reading score, they may be surprised to find out that the solution was outlined in the research published 23 years ago. That solution is to give students the chance to read in class, the chance to choose a book to read. To practice reading is critical to the practice of teaching.

Sophomore English is centered on the study of World Literature and is organized to complement Modern World History classes taught by members of the Social Studies Department. This means, when students are taught about World War I, the English classes read All Quiet on the Western Front.

One of the goals this year for every member of the English Department is to increase the amount of reading opportunities. To meet this goal, the EnglishII classes have just completed a unit where they chose books written by world (not American) authors or books about world events. The unit ran for 18 days-11 days class periods designed with 20 minutes of silent sustained reading combined with lit circles for a total of 3 hours and 40 minutes of in-class reading time.
Students choose the book they wanted to read after researching book titles with reviews (from Amazon) promoted in a prepared folder on Livebinders. Literature circles were organized by student selection of titles; teachers made recommendations for low-level readers.

80% of the texts offered in this unit were added to the classroom library as used books. Books were purchased for $.50-$4.00 each over the period of two years through visits to thrift stores, public library sales, and online used book vendors. The remaining 20% of texts were already purchased for classroom libraries through the retail market. The most popular titles selected by the students included: A Day in the Life of Ivan Denisovich, The Alchemist, Hiroshima, and The Life of Pi (titles initially purchased at retail price); Like Water for Chocolate, City of Thieves, The Girl with the Pearl Earring, The God of Small Things and Ella Minnow Pea (all titles added through used book markets).

Literature activities were designed to encourage student creativity and to be simple enough so that students could complete the tasks during the period. Students were continually reminded that they need to read for homework as well as in class.
Once the literature circles were organized, students kept all group work in folders. Literature circles were not divided with assigned roles; all members of the group participated in the daily scheduled activity.

Daily activities included:

  • Members of the group developed five questions each which were shared in the group. All members chose three question from this pool and responded to them;
  • Members of the group each located a passage with figurative imagery and used that passage to create a found poem;
  • Members of the group illustrated a scene from the book as a six-panel comic strip;
  • Members of the group researched 14 facts about the text they chose, the author, and the context when the book was published;
  • Members of the group each wrote three character haikus;
  • Members of the group created one timeline of 10 events from the text and organized these on Timetoast.com interactive software.

Once students had chosen their texts, they were given an index card to record data about their reading habits. Students recorded their progress on these cards with the following data: page # at the beginning of a reading session, page # at the conclusion of a reading session; the number of minutes for the reading session; the location of the reading session. At the conclusion of the unit, this card was used as a self-reflection exercise, and the data card attached to a sheet with the following questions:

1. According to the data you recorded on the card, how long did it take you to read this book?
2. What was your average reading rate (pages per minute)?
3. In which location did you read most frequently?
4. If you had to take a detailed multiple choice quiz or test on this book, would you have scored well? WHY or WHY NOT?
5. Who would you recommend should read this book?

As a final assessment, students completed a dialectical journal of 10 quotes (5 from the beginning of the book; 5 from the end of the book).

The unit was successful in having students engage with their texts daily; students would enter the classroom saying, “We get to read first, right?” while literature circles allowed for student centered activities. Assessments of responses collected in literature circles allowed teachers an opportunity to monitor student understanding. Several students completed their chosen text early. These students were given one page book review sheets to complete for extra credit; no other assessments were given for extra credit reading.

The goal was to increase student engagement in texts with SSR and literature circles while exposing students to author voices from around the world. This unit has proven to be flexible and teachers will schedule this unit with some changes to literature circle activities during standardized state testing and again at the end of of the school year. The 20 minutes a day also provided time for teachers to familiarize themselves with many of the texts as well. Why should students be the only ones enjoying a book? What teacher wouldn’t want a little reading time for themselves?

One of my first jobs was as a waitress. The job was physically demanding. The variety of customers meant that no one day was like any other day. There were usually three “waves” during mealtimes. The hourly rate was a little below minimum wage, but there were tips.

My job now is to teach. The job is physically and mentally demanding. The variety of students means that no one day will be like any other. But there are four to six “waves” a day depending on a school’s schedule, and I certainly make more now than the minimum wage an hour.

In a recent discussion about teacher training, I made the observation that being a waitress was great training for preparing a teacher for managing the classroom. My colleagues were surprised, so I made the following argument.

Picture this. In a restaurant customers arrive and are seated at tables with every expectation of a great meal. Hopefully, the arrivals are staggered, but quite often there is a rush of customers who are presented with a menu to make selections. The waitress manages several tables at once.

In contrast, in the classroom, students arrive en masse with a variety of expectations. They seat themselves at desks or tables and are given an opening set of instructions. The teacher engages every student in the activity at once.

Back at the restaurant, customers make their selections from the menu; their individual requests are recorded by the waitress. The clock is “running” once the order is taken.

Back in the classroom, the students’ attendance is recorded, homework collected, and lesson materials distributed by the teacher. The length of class is fixed; once the bell rings, the clock is running.

At the restaurant, the waitress delivers the meals in the order the patrons arrived, the patrons eat accordingly at their own pace. Their progress in monitored by the attentive waitress. Once the patrons are done, the meals are cleared away….leisurely.

In the classroom, the lesson is delivered to an entire group of students, perhaps the students participate together or perhaps there is differentiated instruction. The attentive teacher monitors the students’ progress while keeping all students on pace to complete the lesson. At the end of the lesson, the materials are put away….in haste!

In completing the meal, the customers pay their bills and leave, planning to return soon because of their great experience at the restaurant. Because of the waitress, they have been served good food and provided good service.

In contrast, at the bell, the students scramble to leave the classroom. They are required to return for another learning experience in the classroom. Hopefully, because of the teacher, student learning has been accomplished and good academic habits reinforced.

In retrospect, being a waitress was a great way to develop the skills of timing and monitoring, the skill of delivering materials, and the skill of closure that are needed in the management of a classroom. I did enjoy being a waitress. I liked the busy pace and interaction with people, but I love teaching as a profession much more. However, I  miss the tips.

This first day of October in Connecticut was not emblematic of classic cool crisp fall days. Instead, a blanket of humidity hung over the rain-soaked state which received another several inches the night before the Saturday book sales in Brookfield and Washington.  Separated by 17 miles but sharing the same weather, the make-up of the two sales could not have been more different.

Brookfield Library

I arrived several minutes early to the Brookfield Public Library and found volunteers poking a rain-saturated tent that was bowed holding several gallons of water and looming precariously over a table. Fortunately, the bulk of the sale was held indoors in the community room.  Tables were filled with books; boxes were stacked below. This year residents donated generously and as a former resident myself, I was also familiar with many of the volunteers who year after year tirelessly support the library. They were very helpful with other patrons, (“Jodi Picoult books? Oh, we have as many as you want…take them, take them all, please!”). They restacked tables and manned the checkout tables very efficiently. Some titles were misplaced (non-fiction slipped into the fiction section and vice versa) which meant that a careful perusing of the titles was necessary.  However, this strategy could also be a clever sales ploy, so I spent time and examined books on every table on the off chance there would be a misplaced book that I could use. Such diligence paid off because I found copies of Bill Bryson’s A Walk in the Woods on five separate tables.

Five additional copies brings the classroom library total to 75 copies for the English II classes

Bargains at this sale included five copies of Mark Haddon’s The Curious Incident of the Dog in the Night-Time, four copies of Alice Walker’s The Color Purple, and two copies of Toni Morrison’s The Bluest Eye. There were also multiple copies of Mark Salzman’s Lost in Place from a town-wide read several years ago. I also turned up a boxful of copies of Khaled Hossani’s The Kite Runner but left them for others; we already have a class set!  The presence of multiple copies means, of course, that Brookfield has many book groups (I am speaking from personal experience). Only book clubs can explain the multiple copies of titles such as Elizabeth Strout’s Olive Kitterage, and Sue Monk Kidd’s The Secret Life of Bees. Other excellent finds in the young adult section included Nancy Farmer’s The House of the Scorpion, M.T. Anderson’s Feed, and Jarry Spinelli’s Stargirl. I filled two bags.

Washington, CT-Gunn Library

In contrast, the book sale at Washington’s Gunn Library was filled with singular copies of books. The basement of this deceptively large library was filled to capacity with books, which was surprising given the steady stream of people leaving with bags filled with books. Titles were displayed along the walls on well-marked shelves and on tables, and the variety of titles was impressive. There was an array of biographies, history, fiction, self-help and cookbooks, but duplicate copies of titles were almost impossible to find.  Performing arts literature was subdivided into music, art and dance on an overflowing table. Romance was relegated to two boxes under the fiction paperback table. A section of the sale at the entrance was dedicated to autographed copies of books. Rare books were provided a separate space. All of these genres contained singletons. Considering the number of solo copies, one wonders about the reading habits of the residents of Washington.  Is breadth of literature a community goal? Do they pass single copies from resident to resident rather than buy in bulk? Is this book sale a giant exchange site?

In any event, there were excellent new choices to add to the memoir class shelves including Ying Ma’s Chinese Girl in the Ghetto and Meredith Hall’s Without a Map: A Memoir. There were also new copies of Ishmael Beah’s A Long Way Gone, Anthony Swofford’s Jarhead and Michael Paterniti’s Driving Mr. Einstein. The young adult’s section included a copy of Suzanne Collins’s Gregor the Overlander. Needed titles located included Bobbie Anne Mason’s In Country, Arthur Miller’s Death of Salesman, Zora Neale Hurston’s Their Eyes Were Watching God  and Leslie Marmon Silko’s Ceremony. In addition, I located a a copy of Tim O’Brien’s Going after Cacciato and Cormac MacCarthy’s Cities of the Plain to add to English III independent reads. Volunteers at the sale were also efficient re-stacking the tables throughout the morning, while wisely choosing to keep their distance from the heavily trafficked children’s section.

The difference in titles available from each of these communities in the Northwest corner of Connecticut could not have been more different, but I spent the exact same amount at each (about $62.00)  for almost the exact same number of books. In total, I purchased 111 books for $123.50. It was the best of book sale days; it was the worst of weather starts for October.