Archives For Like Water for Chocolate

Sophomore English is centered on the study of World Literature and is organized to complement Modern World History classes taught by members of the Social Studies Department. This means, when students are taught about World War I, the English classes read All Quiet on the Western Front.

One of the goals this year for every member of the English Department is to increase the amount of reading opportunities. To meet this goal, the EnglishII classes have just completed a unit where they chose books written by world (not American) authors or books about world events. The unit ran for 18 days-11 days class periods designed with 20 minutes of silent sustained reading combined with lit circles for a total of 3 hours and 40 minutes of in-class reading time.
Students choose the book they wanted to read after researching book titles with reviews (from Amazon) promoted in a prepared folder on Livebinders. Literature circles were organized by student selection of titles; teachers made recommendations for low-level readers.

80% of the texts offered in this unit were added to the classroom library as used books. Books were purchased for $.50-$4.00 each over the period of two years through visits to thrift stores, public library sales, and online used book vendors. The remaining 20% of texts were already purchased for classroom libraries through the retail market. The most popular titles selected by the students included: A Day in the Life of Ivan Denisovich, The Alchemist, Hiroshima, and The Life of Pi (titles initially purchased at retail price); Like Water for Chocolate, City of Thieves, The Girl with the Pearl Earring, The God of Small Things and Ella Minnow Pea (all titles added through used book markets).

Literature activities were designed to encourage student creativity and to be simple enough so that students could complete the tasks during the period. Students were continually reminded that they need to read for homework as well as in class.
Once the literature circles were organized, students kept all group work in folders. Literature circles were not divided with assigned roles; all members of the group participated in the daily scheduled activity.

Daily activities included:

  • Members of the group developed five questions each which were shared in the group. All members chose three question from this pool and responded to them;
  • Members of the group each located a passage with figurative imagery and used that passage to create a found poem;
  • Members of the group illustrated a scene from the book as a six-panel comic strip;
  • Members of the group researched 14 facts about the text they chose, the author, and the context when the book was published;
  • Members of the group each wrote three character haikus;
  • Members of the group created one timeline of 10 events from the text and organized these on interactive software.

Once students had chosen their texts, they were given an index card to record data about their reading habits. Students recorded their progress on these cards with the following data: page # at the beginning of a reading session, page # at the conclusion of a reading session; the number of minutes for the reading session; the location of the reading session. At the conclusion of the unit, this card was used as a self-reflection exercise, and the data card attached to a sheet with the following questions:

1. According to the data you recorded on the card, how long did it take you to read this book?
2. What was your average reading rate (pages per minute)?
3. In which location did you read most frequently?
4. If you had to take a detailed multiple choice quiz or test on this book, would you have scored well? WHY or WHY NOT?
5. Who would you recommend should read this book?

As a final assessment, students completed a dialectical journal of 10 quotes (5 from the beginning of the book; 5 from the end of the book).

The unit was successful in having students engage with their texts daily; students would enter the classroom saying, “We get to read first, right?” while literature circles allowed for student centered activities. Assessments of responses collected in literature circles allowed teachers an opportunity to monitor student understanding. Several students completed their chosen text early. These students were given one page book review sheets to complete for extra credit; no other assessments were given for extra credit reading.

The goal was to increase student engagement in texts with SSR and literature circles while exposing students to author voices from around the world. This unit has proven to be flexible and teachers will schedule this unit with some changes to literature circle activities during standardized state testing and again at the end of of the school year. The 20 minutes a day also provided time for teachers to familiarize themselves with many of the texts as well. Why should students be the only ones enjoying a book? What teacher wouldn’t want a little reading time for themselves?

First impressions are made in seconds, which is why a book’s cover design is so important. While there are some wonderful book covers for the texts used in the high school classroom, there are are also some unappealing cover designs. Usually, the less attractive cover is the movie-tie in cover, and as I collect used texts for the classroom, I try to avoid these commercial texts.

Original Cover for hardcover and tradeFor example, Like Water for Chocolate  was published in 1989 by first-time Mexican novelist Laura Esquivel. This book is an independent choice in grade 10, and there are several trade paperback versions available.

The book’s original cover is a lovely tribute to Diego Rivera; a lovely turquoise border frames a painting of a two women preparing food in a kitchen. One woman sits stirring in a bowl on the left side of the painting; the central figure is dressed in white wistfully stares out to the reader as she molds a tortilla.

Cover with movie tie-in

The novel follows the story of a young girl named Tita is unable to marry Pedro, the man she loves, because a family tradition which requires her to care for her mother until the day she dies. The book is organized recipe by recipe, each marking Tita’s longing for Pedro. As Tita expresses herself when she cooks, the foods are bewitched with her emotions.

The movie tie-in cover for Like Water for Chocolate is not as charming. There is a close-up photo of Lumi Cavazos (Tita) and Marco Leonardi (Pedro) staring past each other; the effect is rather unsettling rather than engaging.

Likewise, the post-apocalyptic novel The Road by Cormac McCarthy, published in 2006, also has several cover versions. We teach this book in Grade 11. The original design is distinctive and bold with McCarthy’s name (brown ink) and title of the book (white ink) printed large across the front; there are no illustrations. This dramatic choice impresses the reader of both the book’s importance and the starkness of the world contained within. A father and his young son travel down through the Eastern states of a destroyed America. The environment has been destroyed, society has been destroyed, but the man and the boy struggle on maintaining a last hope for humankind. Their relationship, one of tenderness and compassion, is in sharp contrast to the nightmarish future McCarthy creates.

The film The Road was released in 2009 and the trade book movie tie-in cover depicts a weary Viggo Mortensen (the man) and Kodi Smit-McPhee (the boy) trudging down a road against a grey landscape. The mass-market tie-in is even worse with a close up profile of a filthy and distressed Mortensen. Both movie-tie in covers are commercial attempts to capture the book’s hostile setting and compassionate relationship between father and son.

The original bold cover for hardcovers and trade paperbacks in 2006

The trade paperback movie tie-in

The mass-market movie tie-in cover

However, there are some movie-tie in covers which are more suited for the material within. The covers for the novel Beloved by Nobel prize-winning author Toni Morrison have undergone multiple transformations, which is confusing at first to many of my Advanced Placement students who may have one of several copies. The 1987 release simply has the title across the cover. This release was an over-sized trade that does not stack well with other books.

Then, there were two paperback covers (1988 and 1994) that shared the same image of a faceless woman in a hat centered on the front.  This design more artistically captured a central theme in the novel. When the book was chosen by Oprah for her book club, the book was released again with a red cover and the word Beloved in gold script across the cover.

1987 Paperback Cover

1988 Paperback cover was similar to this cover in 1994

2004 Paperback cover

Of these three designs, the most appropriate cover was the faceless woman whose ghostly image alludes to the character of Beloved, a child murdered in order to prevent her return to slavery. Opening in a post Civil War South, the main character Sethe confronts the ghosts and people from her past, and the evils of slavery are described in painful detail.

Beloved Movie-tie in paperback cover

The movie-tie paperback cover for the film Beloved (1998) is far more dramatic; the actress Thandie Newton is pictured in side profile, back arched, against distorted tree branch. The result is dramatic without focusing on the film’s actress; this cover is not a blatant movie tie-in.

I rarely buy these movie-tie in paperbacks for two reasons. The art design usually features the actor or actress and not the elements of the story, and these covers immediately alert students that there is a film to watch rather than a book to read! However, the contrast in covers is an interesting lesson for students, and I have asked them which cover they prefer. Can they judge the book by its cover?