Archives For November 30, 1999

Of course, I received multiple links to the NY TimesMacbeth Mashup“from fellow English teachers, and yes, I thought that Claire Needell Hollander wrote a very funny piece. Yes, I believe students should be exposed to Shakespeare regularly, with or without the recommendations of the Common Core State Standards (CCSS). But, Macbeth for seventh and eighth graders? No!  That is just wrong. Wrong on theme, wrong for content, and very wrong for 11 and 12 year olds.

Hollander began her feature article making a great point about classroom dynamics:

“We say the classroom, as if an ideal classroom exists that somehow resembles every other classroom in America. In reality, every classroom has its own dynamic, and every class I’ve ever taught looks different from every other class. Perhaps more important, they also sound different.”

She is right. A chemistry of personalities creates a different dynamic in every classroom. The age of those personalities is also a factor. As I read the piece, however, I grew more and more frustrated. Macbeth features witches, warfare, murder, and, like most Shakespeare plays, sexual language. The word “blood” is repeated 41 times over the course of the play. Even the play itself is cursed; actors will not say the name of the play in the theatre. Many critics consider this Shakespeare’s “darkest play”.

Hollander herself questioned the appropriateness of this play for middle school students. She writes:

Lady Macbeth

John Henry Fuseli/ Johann Heinrich Füssli, Lady Macbeth Sleepwalking. Musée du Louvre, Paris Date: 1784. Creative Commons. Lady Macbeth driven to madness and suicide because her guilt in participating in the murder of King Duncan which leads to the murder of the guards, Macduff’s family, Banquo, and others…the stuff that nightmares are made upon.

“The kids have copies of the play with a modern English version on one side, but this isn’t easy either.”

“Tears of hilarity. Maybe middle school is too young for “Macbeth.”

Maybe? Definitely! So, why choose Macbeth?

Apparently, Hollander was attempting to satisfy a recommendation for archaic language for the secondary level in the English Language Arts Common Core. This is explained in Appendix A Language Conventionality and Clarity:

Texts that rely on literal, clear, contemporary, and conversational language tend to be easier to read than texts that rely on figurative, ironic, ambiguous, purposefully misleading, archaic, or otherwise unfamiliar language (such as general academic and domain-specific vocabulary).

In other words, the CCSS state that students should be exposed to complex diction, and the CCSS has made specific recommendations for grade 8 including:

  • Little Women by Louisa May Alcott (1869)
  • The Adventures of Tom Sawyerby Mark Twain (1876)
  • “The Road Not Taken” by Robert Frost (1915)

Hollander could consider the how the wording in CCSS Reading Standard 8  should guide her in selecting material for her combined seventh and eighth graders:

Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new.

So many students come to high school without the necessary content to understand many of Shakespeare’s allusions. Perhaps the students know little about King Arthur and the Knights of the Round Table; why not Malory’s Morte d’Arthur? Or understanding the Pantheon of Greek Gods and Goddesses would be helpful; why not Edith Hamilton’s Greek Mythology?  Beowulf is usually taught in grade 10; the opening begins, “He was spawned in that slime, /Conceived by a pair of those monsters born/ Of Cain, murderous creatures banished/ By God, punished forever for the crime/ Of Abel’s death” (Raffel). Student should know this Biblical story of Cain and Abel. Students must come to high school prepared with the content needed to understand increasingly complex texts.

So why choose Macbeth? In fact, why choose Shakespeare at all? Ultimately, by not considering the recommendations of the CCSS to saturate students with the grade appropriate texts in our rich literary tradition, Hollander leaves them ill-prepared for Shakespeare at the high school level, when they are more mature to appreciate his themes.

So please, leave Macbeth, with his nihlism, his “...tale/Told by an idiot, full of sound and fury,/Signifying nothing” for older students.  Please leave Lady Macbeth with “…the smell of the blood still” where “all the perfumes of Arabia will not sweeten this little hand”, and leave Macbeth for high school. Besides, if Hollander is trying to meet the recommendations of the Common Core, she should leave Macbeth where the Common Core placed it, as a complex texts for 9th and 10th grades. The noisy mashup of Macbeth will still be crude and rowdy and demanding; but the students will be older, and these few additional years of maturity are necessary for dark tragedy in “the Scottish play”.

Today is Digital Learning Day! To mark the occasion, let me take you through a quick walkthrough of the halls of Wamogo Regional Middle/High School and give you a snapshot on how digital learning looks in the English classrooms grades 7-12. We have 1:1 computers in grades 7 & 8; in grades 9-12, we have a “bring your own digital device” policy. Here are the digital learning activities on Wednesday, February 6, 2013:

Grade 7: Students responded to a short story they read, “The Amigo Brothers”. They accessed the wiki (www.PBworks.com) in order to respond to “close reading” questions on the author’s use of figurative language. (Students are required to use evidence in their responses; digital copies of text helps student correctly add and cite evidence).

Grade 8: Students uploaded their reviews of the books (Mississippi Trial, 1955; Chains; The Greatest) they have been reading in literature circles to www.edmodo.com. These reviews are connected to the Common Core Writing Standard #6:

CCSS.ELA-Literacy.W.8.6 Use technology, including the Internet, to produce and publish writing and present the relationships between information and ideas efficiently as well as to interact and collaborate with others.

Grade 9: Students responded to a “writing on demand” journal prompt in preparation for the novel Of Mice and Men. This prompt is connected to the theme of hopes and dreams, and the students were asked:

What is your hope for life, your goal, or even your dream?  What do you think you want from the future? What would you live without, dream-wise?  What couldn’t you live without?

The students also posted their responses on a www.Edmodo.com discussion thread. Selections from responses included:

  • Something I couldn’t live with out would be my grandparents because they are like another set of parent to me, just better. They mean so much to me, that I really couldn’t see my life without them.
  • I hope to be a plant geneticist in the future, that is my hope but no matter what happens I would like to have a career involving plants and even if I can’t get a career in genetics I know it will always be a hobby of mine.
  • My house will be by the ocean, so close I can see it out of my kitchen window. I will grow old and drink coffee on my porch, while I read the paper and wave to my neighbors who walk by!
  • I could live without being famous around the world but I would like to be known town wise. I cannot live without family and their support in my decisions. They help me to stay confident and get through whatever I want to accomplish in life.
  • I think I could live without wanting a huge house or a huge boat “dream-wise”, but that still doesn’t mean I don’t want those things. I couldn’t live without music or my family.
  • My biggest hope and dream is to have a really big plot of land and have the world’s biggest tractor and a bunch of snowmobiles and ATV’s.
  • I want to be able to adopt kids from Uganda but also have my own, and I want to live in a nice house with a big yard. I want to work with little kids as a job.

10th grade Honors English students are reading Great Expectations. They took a quiz on www.quia.com, a software platform for timed quizzes. The College Prep English classes are reading Animal Farm. Today, they had to access “The International” MP3 and the www.youtube.video of the Beatle’s song “Revolution.

For homework tonight, students will write their own “protest” song.

Grade 11: Students can access the vocabulary list from the film The Great Debaters through the class wiki (www.pbworks.com) while the Advanced Placement English Language students watched a YouTube video of a Langston Hughes poem “I, Too, Sing America” read by Denzel Washington:

They prepared responses to the following questions which were posted on the class wiki:

  1.  To whom is the poet writing?  How do you know?
  2.  Choose one stanza and discuss what you feel is the key word in this stanza and explain why you chose this word?
  3.  What feelings does the poem create?  Which words create this feeling?

Grade 12: Students in the Grade 12 Mythology class accessed the following Google Doc Template and filled in the chart with their own research about the mythologies of different cultures. This activity meets the CCSS writing:

CCSS.ELA-Literacy.W.11-12.7 Conduct short research projects to answer a question; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject

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The Film and Literature class “flips” the content by having students watch films for homework in order to discuss them during class. Tonight’s assignment? Watch the following YouTube clip and be ready for an open note quiz:

Students in the Advanced Placement English Literature class read the short story “Barn Burning” by William Faulkner that was embedded with a quiz on www.quia.com. They then created a list of four themes from the short story on a Google Doc. Each student selected a theme and placed his/her responses in the Google Drive folder to share with other members of the class. Examples included:

  • Actions we take with the grotesque: Shun? Avoid?

This story embodies an ultimate grotesque atmosphere. Even Colonel Satorius Snopes’ sisters are described as, “hulking sisters in their Sunday dresses” (2). These sisters are emulated throughout the story as disgusting, rotund, lethargic, and hog-like beings. This grotesque physical trait emulates the family’s condition in society. Satorius’ clothes are described as, “patched and faded jeans even too small for him.” (1).

  • Family over law or law over family

For the boy to go against his family in the end further proves his actions of courage and strength, and portrays the theme of law over family. “Then he began to struggle. His mother caught him in both arms, he jerking and wrenching at them. He would be stronger in the end, he knew that. But he had no time to wait for it” (10). His whole family is holding him back, but he chooses to go against all of them and do what is right.

This quick walkthrough demonstrating the use of technology in the English classrooms on one day demonstrates that for the teachers and students at Wamogo, everyday is a Digital Learning Day!

"Dawn spread her rosy fingers..."

“Dawn spread her rosy fingers…”

Our 9th grade classes have been reading Robert Fitzgerald’s excellent translation of The Odyssey. At the beginning of every book, “young Dawn spreads her fingertips of rose to make heaven bright”. My students have heard this phrase so often that they chorus back to me “fingertips of rose” when we read aloud. One morning this past week, I raced up the hill to school to get my iPad so I could capture this picture of the “rosy fingers” and put it on the class wiki.

We dutifully started The Odyssey with the “Invocation to the Muse” and Books 1-4, but the Telemachus “coming of age” story did not really capture their interest. Meeting Odysseus in Book 5 did not improve their respect for the “worthy man of twists and turns.” Once we read Book 9,  the meeting with the Cyclops, Polyphemus, their interest was revived. Apparently, they enjoy a good story of man-eating monster as much as previous generations from 2020 years ago.

I have only been able to locate about a dozen copies of this translation in the secondary market, so we did have to buy a class set. These replaced a worn set of the Richmond Lattimore translation. There will be an audio version of the Fitzgerald translation available in November 2013 I will be ordering so I will finally be able to hear how to pronounce all those Greek names!.

Our final project for the Odyssey is a narrative that students complete called “The Wamogossey: A Day in the Life of a Freshman at Wamogo High School.” Happily,  writing narratives are once again favored in curriculum aligned to the Common Core State Standards:

CCSS.ELA-Literacy.W.9-10.3 Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

The inclusion of the narrative confirms what most writing teachers recognize, that writing a narrative gives a students a better appreciation for reading a narrative.

In writing The Wamogossey, we allow students to organize themselves as individual narrators or in groups of two or three. Our instructions to the students are based on the following premise:

You and your partners are to create a modern equivalent of The Odyssey. The setting is Wamogo High School; the hero a 9th grader – Fresheus or Freshiope.

Your character must make their way through a day at school, facing modern equivalents of the Lotus Eaters, Cyclops, Sirens, and all that Odysseus encountered. The goal is simply to get home alive, where the or she can relax and feel safe.You must mirror Odysseus’ adventures, including how he solves the problems (trickery, patience, skill, self-control, etc).  The essential nature of the obstacles must be the same, in the same order, but set in modern Wamogo.

Each student in a group working on The Wamogossey is required to write three adventures: a single narrator needs three (3) adventures; two people writing the Wamogossey need six (6) adventures; three members of the group need nine (9) adventures. This organization assures that there is an equal sharing of responsibilities regardless as to the size of the group. They compose the narrative on Google Docs; each narrator writing in a different color ink.

In addition, to assure fairness in grading, we allow students to have some feedback on the distribution of points. The project is assigned a base grade (EX: 40 points) Once the project is graded based, that number is multiplied by the number of students in group. For example a project worth 40 points may be awarded only 34 points. If there were three members of the group, then there are 34 X 3 points available, or a total of 102 points. The members of the group then determine a fair distribution of points; slackers are usually “outed” by members of their group. We rarely need to intervene.

The Wamogossey narratives must begin with an invocation to their muse. These are usually very personal and often reflect that we have a vocational agricultural program. For example, from this year’s submissions:

Sing in me, Brandon,
and help me tell the story of tractors, you, skilled in all ways of contending,
the fixing, harried for hours on end,
after the break downs and endless driving in the field.
I saw the end of the last row of corn
and learned that good crops come slowly
and weathered many bitter days
in the early morning cold, while I fought only
to save my life, to get home to the barn.
But not by will nor valor could I save all the gas I use,
Of these adventures, Brandon, tell about me in my school day, lift the great song again.
Begin when the alarm rang, calling me to adventure, when all I hungered for was for home, my  Farm All tractors, and being ready…

In addition to the modernized twists of Homer’s plot, each adventure needs an epithet (“grey-eyed goddess”) and one Homeric simile. My students call these similes “enough already; we get the point” similes.There is also extra credit for using vocabulary from The Odyssey.

So far, several of The Wamogossey entries parallel Odysseus’s adventure very nicely. One student’s encounter with “Eaganphemus” (the Cyclops/our principal) is clever:

Encounter with the Cyclops- Book 9
I was hurrying to class, I was going so fast, I felt like I was in a race car, and the people around me are in a fuzz.  All of a sudden, I saw the huge Eaganphemus standing in my way. I almost slammed into him, my wheels spinning so fast. I tried to get around him, but I couldn’t  But, I happened to have M&M’s in my pocket, so I threw them at him. He seemed overwhelmed! He tried to catch all of them at once!! Once he was trying to gobble them down I raced past, now that he was distracted. I somehow survived getting past him.

As the semester ends next week, the students will have finished their hero’s journey. Odysseus will return to Ithaka and to Penelope, and, yes, another “Dawn will spread her rosy fingers…”.  I may get to run up the hill again to snap another picture.

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Wikipedia photo -Elie Wiesel

By my calculations, at the mid-point of the school year, many World History classes are studying World War II. Should these classes want to increase their use of an informational text in English or Social Studies curriculum, I suggest Elie Wiesel’s noteworthy speech The Perils of Indifference.

Wiesel delivered this speech to Congress on April 12, 1999. The speech is 1818 words long and connects Wiesel’s experience at the concentration camp at Aushwitcz with the genocides of the late 20th Century using a single powerful word: indifference.

In his speech, Weisel states clearly:

Indifference, then, is not only a sin, it is a punishment. And this is one of the most important lessons of this outgoing century’s wide-ranging experiments in good and evil.

Our English Department has used this speech in the past as a complement to Wiesel’s memoir Night which has been a used as a whole class read.  This year, we are giving Night to the Social Studies classes. They will adopt this memoir in order to increase the assigned informational text reading in their discipline mandated by the Literacy Common Core State Standards in History and Social Studies (CCSS). The English Department will still offer supplemental texts  that students can choose to read independently.

When he gave this speech, Wiesel had come before the US Congress to thank the American soldiers and the American people for liberating the camps at the end of World War II. Wiesel had spent nine months in the Buchewald/Aushwitcz complex. His mother and sisters had been separated from him when they first arrived: “Eight short, simple words… Men to the left, women to the right”; these family members were killed in the ovens. He and his father survived starvation, disease, and the deprivation of spirit. His father eventually succumbed, and Wiesel guiltily admits at the end of the memoir that at his father’s death he felt relieved.

Eventually, Wiesel felt compelled to testify against the Nazi regime, and he wrote the memoir Night to bear witness against the genocide which killed his family and six million Jews. His speech was delivered 54 years after he was liberated by American forces.

His gratitude to these American forces is what opens the speech, but after the opening paragraph, Wiesel seriously admonishes America to do more to halt genocides all over the world. By not intervening on behalf of those victims of genocide, he states clearly, we are indifferent to their suffering:

Indifference, after all, is more dangerous than anger and hatred. Anger can at times be creative. One writes a great poem, a great symphony, one does something special for the sake of humanity because one is angry at the injustice that one witnesses. But indifference is never creative.

My students have always been struck by Wiesel’s juxtaposition of anger and creativity. More than one has agreed pointing to making a “good” creation: an amazing song about an ex-boyfriend or a painting slapped together with passion. They also do not want to be treated indifferently. Yet, Wiesel makes them think beyond themselves:

Indifference is not a beginning, it is an end. And, therefore, indifference is always the friend of the enemy, for it benefits the aggressor — never his victim, whose pain is magnified when he or she feels forgotten. The political prisoner in his cell, the hungry children, the homeless refugees — not to respond to their plight, not to relieve their solitude by offering them a spark of hope is to exile them from human memory. And in denying their humanity we betray our own.

I remember several years ago, one student in my English 10 class, Rick, was particularly bright, fun, and full of daring. He also had an exceptional understanding of math and statistics. That January, I introduced the memoir Night as I had in previous years by providing a little background information.

“Six million Jews were killed during the Holocaust,” I recited off from my list of facts.

“What?” a startled Rick looked up. “Six million?” He was aghast. “That can’t be right.” He looked around at his classmates. “Six million?” They looked at him blankly. “Come on,” he was looking for some support, “That can’t be right.”

“Why?” I asked.

“Do you know how many six million things are?” He was indignant.

“Six million people,” I responded.

“People, yes. People, six million is a lot of people….” Rick was clearly operating with a different level of understanding from his more placid classmates. He understood six million as quantity; he did understand what six million things would look like if stacked up. Other students stirred in their seats.  “No way….six million,” he repeated growing more agitated. “How? How did anyone let this happen?” he asked; he was half-rising out of his seat. “Did we know?”

“Yes,” I remember saying. I do remember explaining that, yes, America did know that Hitler had concentration camps, and that more documentation collected after the war indicated that many of our military and political leaders knew about these camps. That is one of the points from Wiesel’s speech.

I pointed out to the class that the Holocaust was only one example of genocide; that there were others. In fact, that there was recently a genocide in Darfur. Rick sat down; he was overwhelmed. He was capable of understanding numerically the devastation of the Holocaust, and he was clearly upset. “Why do we let this happen?” he asked. I remember his voice was so sad, so full of disbelief.

In The Perils of Indifference, Wiesel asks

Does it mean that we have learned from the past? Does it mean that society has changed? Has the human being become less indifferent and more human? Have we really learned from our experiences? Are we less insensitive to the plight of victims of ethnic cleansing and other forms of injustices in places near and far?

Wiesel’s rhetorical questions echo Rick’s “Did we know?” In trying to respond, Wiesel makes the reader uncomfortable the way Rick was uncomfortable. Creating this kind of emotional impact on a reader is the reason Wiesel’s speech should be taught.

The Common Core State Standards (CCSS) demand that students read informational texts but does not require specific texts. Wiesel’s The Perils of Indifference contains the information and rhetorical devices that meet the text complexity criteria of the CCSS. More specifically, Wiesel’s message is necessary if we want our students to confront the conflicts in this new 21st Century. Our students must be prepared to question why “deportation, the terrorization of children and their parents be allowed anywhere in the world?“

Our humanity should demand nothing less.

brainwith contentThis winter, I am discontented. I see less of the “click” of recognition in a student’s eyes when he or she “knows something”. At the risk of sounding like a fuddy-duddy (“old-fashioned person,” 1871, American English, of uncertain origin), my students used to come to class pre-loaded with information; they had a predictable set of stories in their brains. These were often fairy tales such as Cinderella or Jack and the Beanstalk or folktales such as Rip Van Winkle or Johnny Appleseed. And speaking of apple seed, students used to know many of the Biblical stories as well. They may have been misinformed that the fruit of the Tree of Knowledge in the Garden of Eden was an apple and did not know that they could thank John Milton’s Paradise Lost for that substitution, but at the very least students used to be familiar with the Garden of Eden stories, the genesis of multiple allusions.

Today’s students’ lack of content, specifically story content, means that a good deal of class time is spent on a “back story” so they can better understand all the allusions or references in a particular text. Allusions are critical to understanding almost anything taught in English: Chaucer, Shakespeare, Bronte, Hawthorne, Faulkner, Steinbeck, etc. For example, our 10th grade is beginning Beowulf this week, and we read the Burton Raffel’s translation. He opens with the monster Grendel down in his cave howling at the sound of men singing the song of creation. Grendel swears vengeance against the “Almighty” for the exile of his ancestor Cain:

He was spawned in that slime,
Conceived by a pair of those monsters born
Of Cain, murderous creatures banished
By God, punished forever for the crime
Of Abel’s death.

“Can anyone tell me who Cain or Abel is?” we ask.
This year, only two out of 27 students had any idea about the story of Cain and Abel. Cain’s relationship to Grendel is part of the monster’s motivation, and so we were forced to do a little “Bible as literature” storytelling. Unfortunately, the number of students who have no information about the most basic Old Testament stories, which happen to be the same stories in Torah and the Koran, grows every year.

Fortunately, we are a 1:1 district and our students are equipped to quickly use their devices to learn who Cain and Abel are, so we can stop and have them quickly research any allusion, but this immediate research on a digital device disrupts the flow of the story of Beowulf. Moreover, the need to constantly look up information ultimately turns every text into a hyper-text.

This constant researching could be reflected in measuring the lack of information our students have when they approach a task. Last December (2012), the results of the Trends in International Mathematics and Science Study were released and, despite significant improvements,  students in the United States did not rank as high as did students from other countries. The results were discussed at a forum at the Washington Post where  David Conley, CEO of the Education Policy Improvement Center noted,

“One of the great ironies is that we are headed into an age where students can get almost any piece of information off their phones, yet, what we are doing is getting more and more information into their heads. The goal is to go beyond that and make them understand that they have to own their own learning.” (Conley, Ed Policy Improvement Center)

I agree; students need to own content for successful recall and application. I have no objection to students improving their research skills; even Wikipedia is acceptable for quick textual reference research, but students must understand the content in their brains in order to apply that information when they encounter a text. Employing content and applying information is different from employing the skill of accessing information. Owning content is critical to understanding an author’s use of allusions or references. Owning content contributes to fluid reading and better understanding. However, not all owned content is equal.

My admiration for the plethora of animated cartoon sources that do provide story content with a modernized twist is a bit mixed. For example, the popular Shrek series is riddled with storybook allusions. Unfortunately, students often do not understand allusions in these modern re-tellings as parodies. Students need to be disavowed from a belief that Puss ‘n Boots is fat and wears a pink bow or that Snow White is very proud and vain. One could argue the same modernized treatment was done for the original Grimm’s Fairy Tales which have been made more palatable and child-friendly. However, these gruesome original stories were the allusions for writers in earlier centuries. When the Common Core State Standards suggested reading list is filled with the literature and informational texts from centuries past, the recently released cartoon parodies of the originals may not be particularly helpful in understanding these allusions.

While the students today are exposed to information from a myriad of sources, they need to own information to be educated. Students need content, stories and information that they understand, to apply to a text or problem without relying on a digital device. So, this winter, the heightened level of my discontent is measured by the increase of fingering for information on devices. I miss the light that would go off in the students’ eyes when they “knew something,” particularly if that “something” was a story.

I miss content.

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What SHOULD be a tenet of the Common Core State Standards.

The 11th Commandment from Common Core State Standards (CCSS)? Thou Shalt Read Informational Texts.

This edict from on high, from current College Board President and co-architect/promoter of the CCSS David Coleman, has had a seismic shift in curriculum at all grade levels. English/Language Arts Curriculum directors and teachers are jettisoning fiction from their lesson plans in the mistaken belief that they alone are responsible for addressing this new found commandment. For the uninitiated, informational texts in the CCSS replaces the genre previously known as non-fiction and includes many other genres including essays, speeches, and reports.

Columnist Joel Stein exposes the foolishness of this effort in his commentary “How I Replaced Shakespeare” in the 12/10/12 issue of Time Magazine when he discovered that his writing was being analyzed by students. (Note: Diane Ravitch, education activist has the full post on her blog) His response to students who were assigned his articles and who were parsing them for literary devices or thesis?

“Transfer high schools immediately! To one that teaches Shakespeare and Homer instead of the insightful commentary of a first-rate, unconventionally handsome modern wit! Also, don’t do drugs!”

Stein readily admits that students should have some exposure to different genres and explains that he learns how to write in different genres by looking at examples. Similarly English/Language Arts curriculum require students to write in various genres as well through models as well; for example, students are taught with models as to how to write in the genres of essay, business or friendly letter, book review, and poetry.

However, Stein refutes one of Coleman’s most quoted talking points. Coleman said, “It is rare in a working environment that someone says, ‘Johnson, I need a market analysis by Friday, but before that I need a compelling account of your childhood.’” Stein’s response? “I agree with this, but only because no one has ever asked me for a market analysis.”

Stein points out that fiction provides the models that makes writers better. “No nonfiction writer can teach you how to use language like William Faulkner or James Joyce can,” he continues. Stein also mentions how the themes in fiction, and he mentions Shakespeare specifically, prepare students for real life choices. Othello, he notes, can help students make better choices about choices in working partnerships.

Instead, the shared blame for students not knowing how to write well or be able to read non-fiction lies with other disciplines such as history and science, a charge echoed by Gene Wilhoit, executive director of the Council of Chief State School Officers who, along the National Governors Association, created the Common Core. Stein quotes Wilhoit saying, “History class assignments tend to be short textbook summaries, not primary sources.” Indeed the CCSS anticipated that reading across the disciplines is the most effective way to increase student understanding, so the CCSS made clear that a student’s diet of reading should be 70% informational texts and 30% fiction. Unfortunately, the explanation as to how this percentage would play out in the average student’s school day was relegated to two footnotes. On page 5 of the CCSS English Language Arts (down load) is the footnote that illuminates the 11th commandment of how Thou Shalt Read Informational Texts:

1
The percentages on the table reflect the sum of student reading, not just reading in ELA settings. Teachers of senior English classes, for example, are not required to devote 70
percent of reading to informational texts. Rather, 70 percent of student reading across the grade should be informational.
2
As with reading, the percentages in the table reflect the sum of student writing, not just writing in ELA settings.

When the CCSS were announced, the misreadings of this the English/Language Arts standards began immediately. The footnote was largely ignored. Instead, the movement to jam informational texts into English classes began. Literature was dumped in order to meet the set ratio in English classes alone rather than a move to increase the reading of informational texts in all other disciplines.Stein recounts how Wilhoit highlights the reaction of the small, vocal group who objected. “It (CCSS) upset people who love literature. That happens to be a lot of high school teachers,” Wilhoit said.

In How I Replaced Shakespeare, Stein adds his voice to the small vocal group who love literature.  He is a former writer for the Los Angeles Times and now is a regular contributor to Time. He is a good writer who recognizes that all students would be far better served to read great literature (Shakespeare,Faulkner, Joyce)  rather than his column of “informational texts.” The loss of literature at every grade level in an attempt to serve ratios-50% fiction/50% informational text in elementary and 30% fiction/70% in high school- is too great a price to be paid to meet the goals of the yet unproven Common Core.

The impending Hurricane Sandy did little to stop over 2000 teachers from attending the 83rd Saturday Reunion at Teacher’s College at Columbia University on Saturday, October 27. Taking up the microphone in a set of informal welcoming remarks, Lucy Calkins complimented the crowd that had gathered in the Nave in Riverside Church, “So many of you have come here…instead of clearing out storm drains or without stocking up on toilet paper. You have weathered the trip despite the predictions of this ‘Franken-storm’.” The crowd laughed appreciatively.

“Yes. We are in a storm,” she continued with growing seriousness. “Today, we are in a ‘Perfect Storm’ in education, and we must learn to travel these hurricane winds and sail.”

Calkins was referencing the convergence of the Common Core State Standards with educational reform efforts that emphasize standardized testing. Newly designed teacher evaluations tied to single metric tests combined with cuts in funding for public school education because of a stagnent economy have also contributed to this ‘Perfect Storm’. This audience understood her metaphor.

Lucy Calkins is the Founding Director of the Reading and Writing Project LLC and the Teachers College Reading and Writing Project as well as the Robinson Professor in Children’s Literature at Teachers College where she co-directs the Literacy Specialist Program.

Co-authors Lucy Calkins, Mary Ehrenworth and Christopher Lehman all led sessions at the 83rd Saturday Reunion of the Teachers College Reading and Writing Project on Saturday, October 27, 2012

At a session that followed her welcoming remarks titled, “Implementing the Common Core: What’s Working, in Big Exciting Ways, to Engine Dramatic Reforms,” Calkins explained that she would not be delivering a big keynote at this conference on the Common Core, despite her belief that she considers this “most important document in the history of American education.” Instead, she plans to take time off from teaching to tour the country speaking on the Common Core and the book she co-authored, Pathways to the Common Core, in ordercto help school districts with the real work of accelerating students to perform at the level required by the Common Core, noting that “85% of our students are not there.”

Calkins also expressed her concerns that our nation’s history of large-scale educational reform is not good. “We have been sent many times to reform school,” she continued, “we have to be worried that this [Common Core] may be just one more reform.” However, Calkins stated that what works in this particular reform’s effort is the “absolute and total appreciation that what will make the difference is the teacher.” She directly confronted all the teachers in attendance and directed, “You need to be knowledgeable, and read the actual Common Core, not the ‘Publisher’s Guide to the Common Core’.” Her concerns at this conference echo her remarks in March 2012 at the 82nd Saturday reunion where she specifically called out David Coleman, co-founder and CEO of Student Achievement Partners  and who, according to Pathways to the Common Core, “received a  four-year 18 million dollar grant from the GE Foundation to develop materials and do teacher training around the CCSS” (6). Coleman has since moved on to take a position as the President of the College Board. Pathways to the Common Core, co- authored with Mary Ehrenworth and Christopher Lehman, details concerns that this enormous grant and any additional grant money will result supporting those who are “spelling out implications and specifying what they wish the Common Core had said,”(5). Already there has been a growing body of materials that contradict the intentions of the standards:

“There will certainly be additional materials and documents that emerge following this new round of money, with the potential to make similar claims as the Publisher’s Criteria for the Common Core Standards in English Language Arts and Literacy, Grades 3-12 (Coleman and Pimentel 2011)  and the Rubrics for Evaluating Open Education Resources (OER) Objects (Achieve 2011). When documents are presented as if they’ve gone through the process of review and been ratified by the states on subcommittees, it is troubling”(6).

Calkins reminded participants that the crucial difference will be the professional teachers who bring colleagues into their work to build a community of teachers, and that this community should know the Common Core standards.

Turning to the topic of her session, Calkins also explained that some of the most exciting work that was recently taking place on the Common Core  at the Teachers College was with their work with students in argument and debate.

She described the success teachers at the Reading and Writing Project were having with students who participated in read-aloud by gathering evidence for one position or another. For example, students had listened to a reading of The Stray and took notes on different positions. Following the basic rules of debate, students were given the opportunity to caucus with those who held their opinions before debating or refuting their debate partner’s position. In order to model the process with Shel Silverstein’s The Giving Tree, teachers taking one position that the tree was strong stood to caucus with like-minded participants, while those seated conferred with those who agreed with the different opinion that the tree was weak. Calkins directed teachers to stand, sit, debate or caucus, modeling how this might work in a classroom in one 45-50 minute period. She showed several video clips showed students participating in the same process demonstrating the success of using these techniques. “The results were fantastic,” Calkins exclaimed as the videos played, “so exciting to see the students gathering evidence and using the text in their arguments.”

What was evident during her sessions at this conference was that during this ‘Perfect Storm’ in education, Calkins is confidently empowering teachers to sail through what seems to feel like hurricane force changes in the profession. Her efforts in preparing teachers to navigate these new challenges can help insure that while these controversial storms may rage outside, inside the classroom day after day, the teacher is prepared to be the captain of the ship.

 David Coleman, incoming president of the College Board is staring out from the front cover of the October 2012 issue of The Atlantic . Actually, he is not staring. I think he is smirking…a Cheshire Cat smirk.

He has every reason to smirk. Coleman one of the architects of the Common Core State Standards has emerged as one of the more influential education policymakers to change what will be taught in classrooms and how this content will be taught without ever having spent time in the classroom himself.

Yes, Coleman has never taught in a public school classroom, although he was very successful as a student. He was educated in the Manhattan public school system, the son of highly educated parents, his father, a psychiatrist, and his mother, president of Bennington College. His privileged liberal arts credentials are immersive and include Yale, a Rhodes Scholarship, Oxford, and Cambridge.

His perspective on education has been informed by the business side of education which included pro-bono work at the management consulting firm McKinsey & Company. He developed and sold the assessment company Grow Network; co-founded and sold Student Achievement Partner; and most recently, accepted a position as president of The College Board.

Coleman has materialized, like Lewis Carroll’s enigmatic Cheshire Cat, as the cool outsider who surveys education as a Wonderland ruled by nonsense. He has promoted an agenda of close reading and an increase in non-fiction, to a ratio of 70% of all required reading by grade 12, from his perch high above the daily dust-ups of the average classroom.

Now, after developing the CCSS, replete with new batteries of state tests, he has moved on to the pinnacle of high stakes testing, the SAT. His arrival comes amid renewed concerns from studies about the SAT that demonstrate the unfairness of the test for minorities, females, and students living in poverty.

While I can embrace many of the standards in the English Language Arts Common Core State Standards (CCSS),  I remain unconvinced by Coleman’s sweeping claims that “close reading” lessons  of several days focused on a complex and difficult text is critical to improving understanding. I have practiced close reading, but not with the singular and tortuous focus Coleman advocates. There is little research as to how this approach will improve reading skills for all students. For 21 years, I have been a “boots on the ground” promoter of reading to a population of students who are reading less and less of the assigned materials, so I speak from experience when I state that Coleman’s emphasis on close reading can have an adverse effect on an already poor reader.

Furthermore, Coleman negates the effectiveness of the past 35 years of having students engage with a text using Louise Rosenblatt’s Reader Response Theory. His blunt charge “as you grow up in this world you realize people really don’t give a sh*t about what you feel or what you think” is simply not true. I cannot imagine any author who would not want to know what a reader thought. Writing is supposed to inspire; writing is an invitation to a dialogue. Furthermore, how will not listening to what students thought engage them in writing at all?

The question is how did Coleman get to place his large footprint on education, and why did teachers let him move into this position? Were teachers so preoccupied with teaching that they failed to see how the dynamics of education were moving from engaging leaders from public school institutions to accepting leadership from more commercial enterprises?

Dennis Van Roekel alluded to the rise of Coleman and others like him when he delivered an address to the National Education Association 91st Representative Assembly this past July:

Are we willing to assert our leadership, and take RESPONSIBILITY for our professions?
The demands of our work are changing as our students change, and the world around us is changing too – ever so fast.I say it is time for us to lead the next generation of professionals – in educating the next generation of students!

I’m so tired of OTHERS defining the solutions… without even asking those who do the work every day of their professional life.
I want to take advantage of this opportunity for US to lead – and I’m not waiting to be asked, nor am I asking anyone’s permission.

Because if we are not ready to lead, I know there are many others ready, willing, and waiting to do it for us. Or maybe I should say, do it “to” us.

Van Roekel’s quote echoes the question rhetorically posed by noted educator Lucy Caulkins at her presentation of the 82nd reunion at Columbia Teacher’s College, “Where is the proof, David Coleman, that your strategy works?”

Coleman’s ascent to the top of American education policy has been steady. He made contributions to the CCSS which will result in nationwide metrics for grades K-12. Add this testing to his new control of the SAT, and his influence on American education and the tests that measure learning will continue through the college level, all without his having the informative experience of teaching in a classroom. That any one individual without any teaching experience could have had this impact on the daily workings of the classroom is a commentary on the current state of madness that public education now finds itself.

At one point in in her Adventures in Wonderland, Alice comes across the Cheshire Cat in the hope of finding her way out:

‘But I don’t want to go among mad people,’ Alice remarked.
‘Oh, you can’t help that,’ said the Cat: ‘we’re all mad here. I’m mad. You’re mad.’
‘How do you know I’m mad?’ said Alice.
‘You must be,’ said the Cat, ‘or you wouldn’t have come here.’

Carroll’s Cheshire Cat character is a tease, an enigmatic riddler who offers judgments and cryptic clues but no  solution to the frustrated Alice. Coleman is education’s Cheshire Cat, offering positions in education but with no evidence to prove his solutions will work.

Curiouser and curiouser. David Coleman has become one of the most influential educational policymakers in our public school systems, but at this time, we have little else but his smirk.

Is this the Age of Enlightenment? No.
Is this the Age of Reason? No.
Is this the Age of Discovery? No.

This is the Age of Measurement.

Specifically, this is the age of measurement in education where an unprecedented amount of a teacher’s time is being given over to the collection and review of data. Student achievement is being measured with multiple tools in the pursuit of improving student outcomes.

I am becoming particularly attuned to the many ways student achievement is measured as our high school is scheduled for an accreditation visit by New England Association of Schools and Colleges(NEASC) in the Spring of 2014. I am serving as a co-chair with the very capable library media specialist, and we are preparing the use of school-wide rubrics.

Several of our school-wide rubrics currently in use have been designed to complement scoring systems associated with our state tests,  the Connecticut Mastery Tests (CMT) or Connecticut Academic Performance Tests (CAPT). While we have modified the criteria and revised the language in the descriptors to meet our needs, we have kept the same number of qualitative criteria in our rubrics. For example, our reading comprehension rubric has the same two scoring criteria as does the CAPT. Where our rubric asks students to “explain”, the CAPT asks students to “interpret”. The three rating levels of our rubric are “limited”, “acceptable”, and  “excellent” while the CAPT Reading for Information ratings are “below basic”, “proficient”, and “goal”.

We have other standardized rubrics, for example, we have rubrics that mimic the six scale PSAT/SAT scoring for our junior essays, and we also have rubrics that address the nine scale Advanced Placement scoring rubric.

Our creation of rubrics to meet the scoring scales for standardized tests is not an accident. Our customized rubrics help our teachers to determine a student’s performance growth on common assessments that serve as indicators for standardized tests. Many of our current rubrics correspond to standardized test scoring scales of 3, 6, or 9 points, however, these rating levels will be soon changed.

Our reading and writing rubrics will need to be recalibrated in order to present NEASC with school-wide rubrics that measure 21st Century Learning skills; other rubrics will need to be designed to meet our topics. Our NEASC committee at school has determined that (4) four-scale scoring rubrics would be more appropriate in creating rubrics for six topics:

  • Collaboration
  • Information literacy*
  • Communication*
  • Creativity and innovation
  • Problem solving*
  • Responsible citizenship

These six scoring criteria for NEASC highlight a gap of measurement that can be created by relying on standardized tests, which directly address only three (*) of these 21st Century skills. Measuring the other 21st Century skills requires schools like ours to develop their own data stream.

Measuring student performance should require multiple metrics. Measuring student performance in Connecticut, however, is complicated by the lack of common scoring rubrics between the state standardized tests and the accrediting agency NEASC. The scoring of the state tests themselves can also be confusing as three (3) or six (6) point score results are organized into bands labelled 1-5. Scoring inequities could be exacerbated when the CMT and CAPT and similar standardized tests are used in 2013 and 2014 as 40 % of a teacher’s evaluation, with an additional 5% on whole school performance. The measurement of student performance in 21st Century skills will be addressed in teacher evaluation through the Common Core State Standards (CCSS), but these tests are currently being designed.  By 2015, new tests that measure student achievement according to the CCSS with their criteria, levels, and descriptors in new rubrics will be implemented.This emphasis on standardized tests measuring student performance with multiple rubrics has become the significant measure of student and teacher performance, a result of the newly adopted Connecticut Teacher Evaluation (SEED) program.

The consequence is that today’s classroom teachers spend a great deal of time reviewing of data that has limited correlation between standards of measurement found in state-wide tests (CMT,CAPT, CCSS) with those measurements in nation-wide tests (AP, PSAT, SAT, ACT) and what is expected in accrediting agencies (NEASC). Ultimately valuable teacher time is being expended in determining student progress across a multitude of rubrics with little correlation; yes, in simplest terms, teachers are spending a great deal of time comparing apples to oranges.

I do not believe that the one metric measurement such as Connecticut’s CMT or CAPT or any standardized test accurately reflects a year of student learning; I believe that these tests are snapshots of student performance on a given day. The goals of NEASC in accrediting schools to measure student performance with school-wide rubrics that demonstrate students performing 21st Century skills are more laudable. However, as the singular test metric has been adopted as a critical part of Connecticut’s newly adopted teacher evaluation system, teachers here must serve two masters, testing and accreditation, each with their own separate systems of measurement.

With the aggregation of all these differing data streams, there is one data stream missing. There is no data being collected on the cost in teacher hours for the collection, review, and recalibration of data. That specific stream of data would show that in this Age of Measurement, teachers have less time for /or to work with students; the kind of time that could allow teachers to engage students in the qualities from ages past: reason, discovery, and enlightenment.

Going back to school means that teachers and students will confront two philosophical statements. One statement is the school’s mission statement that quite literally confronts them as they enter a school building. The second statement is the statement of purpose for the Common Core State Standards (CCSS) that currently guides the curriculum for K-12 teachers in states that adopted the CCSS.

Here is an interesting exercise. Below, there are three randomly selected school mission statements plus the mission statement from my own school, Wamogo Middle/High School. These statements are generic enough to be for any grade level; they could be for any school.  You could test your school’s mission statement as well. I pasted the combination of these four statements into a Wordsift.com word cloud generator that highlights the more frequently used terms. (illustration below)

_______School recognizes that each child is an individual; that all children are creative; that all children need to succeed. Therefore, _______ School respects the individual needs of children; fosters a caring and creative environment; and emphasizes the social, emotional, physical, intellectual development of each child.

Our mission at ____ High School is to provide individualized education that addresses students’ unique learning styles, cultivates independent thought, and promotes the building of character, enabling them to contribute to their communities in meaningful and positive ways.

The mission of _______Public Schools is to assure that, within a nurturing and stimulating environment, each of our diverse students and graduates achieves literacy and appropriate core competencies, and becomes a responsible and compassionate citizen.

The mission of Wamogo is to educate all students in a challenging, disciplined, and supportive environment. In cooperation with students, parents, and community members, we seek to empower students to be lifelong, independent learners and contributors in a diverse and ever changing society. (Wamogo Middle/High School)

Next, I selected an an excerpt from introduction that explains the purpose and goals of the Common Core State Standards; the text selected was about the same length as the mission statements. I pasted the excerpt  into another Wordsift.com word cloud generator that highlights the more frequently used terms. (illustration below)

The standards are informed by the highest, most effective models from states across the country and countries around the world, and provide teachers and parents with a common understanding of what students are expected to learn. Consistent standards will provide appropriate benchmarks for all students, regardless of where they live.

These standards define the knowledge and skills students should have within their K-12 education careers so that they will graduate high school able to succeed in entry-level, credit-bearing academic college courses and in workforce training programs. The standards:

  • Are aligned with college and work expectations;
  • Are clear, understandable and consistent;
  • Include rigorous content and application of knowledge through high-order skills;
  • Build upon strengths and lessons of current state standards;
  • Are informed by other top performing countries, so that all students are prepared to succeed in our global economy and society; and
  • Are evidence-based.

What is immediately  apparent is that the language in the school mission statement Wordsift wordcloud is very different than the language in the CCSS Wordsift wordcloud. For example, the words education and school do not appear in the CCSS wordcloud; the words skill and knowledge do not appear in the school mission statements wordcloud. The word standard is emphasized in the CCSS wordcloud; the  word child is emphasized in the school mission statement wordcloud. The word career is in the CCSS workcloud; its counterpart is citizen in the mission statement wordcloud. The words college, consistent, informed, provide dominate the CCSS wordcloud. The words creative, environment, individual, need dominate the school mission statement wordcloud. The word student is one of the few emphasized overlapping vocabulary choices. Neither mentions 21st century skills.

I am not a fan of school mission statements. They are usually written by committee, and each successive rewrite makes the language in the statement generalized or vague or bland; I believe that “please all, please none” is the problem with a mission statement. However, one would hope that the differences in diction between a generic mission statement and the Common Core would not be so striking. Ultimately, these two ideas contribute to a common outcome; there should be some commonality other than an emphasis on the word student.

Additionally, the difference is not only one of word choice, but also one of tone. The verbs assure, become, contribute, cultivate, foster, promote, and recognize in the school mission statement wordcloud differ in tone from the few verbs  build, define, learn, live, and graduate in the CCSS wordcloud. The adjectives caring, compassionate, diverse, individualized, stimulating in the school mission statement wordcloud differ in tone from aligned, appropriate, effective, expected, higher order, global and rigorous as adjectives in the CCSS wordcloud. The words social, public and character are not in the CCSS wordcloud; the words economy, benchmark and workforce are not in the mission statement wordcloud. Perhaps it is not a surprise that the language of the mission statements is more sensitive or empathetic in tone than the businesslike language of the CCSS.

My random selection of the three school mission statement plus the statement of my own school cannot possibly speak for all school mission statements. There may be mission statements that have vastly different vocabulary.  Regardless, this imperfect comparison highlights a gap in the language of these mission statements and the language of the CCSS. The goals and purpose of the Common Core should have something in common with goals and purpose of a school.